Why is it that many video courses, guitar lessons, guitarists, apps and tutorials explain the concept of modes for guitar over and over again? Because they are very useful of course, but somewhat fail as one usually ends up with fretboard diagrams filled with dots and patterns and it all seems like a big intellectual challenge to memorize all positions at once, all keys, all strings… so many different combinations, and how to make them sound musical and flow through them without sounding like a robot is going up and down a scale?
We believe the solution is learning through intuition and repetition with carefully designed objective oriented practice routines. Time is important, so optimizing your practice time is essential to make progress and stop wasting time.
This approach to learning the modes of the major scale for guitar is simple and effective, just play along a practice routine for 10 minutes a day and the whole fretboard will start to open up for you. The routines cover all seven modes of the major scale parallel to each other in the key of C. We are approaching guitar fretboard visualization in 3-string shapes that cover only one octave, which makes them easy to manipulate, instead of large 6-string shapes, CAGED, 3 notes per string or other conventional shapes. This process will allow you to always keep in mind the intervallic relationship of the note you are playing against the root. Basic modal theory is included and we focus on the 7 modes of the major scale: Ionian, Dorian, Phrygian, Lydian, Mixolydian, Aeolian and Locrian.
– New effortless approach to learning music theory and skills
– Fly through the 7 Modes of the Major Scale
– 21 well designed guitar practice routines for daily practice
– 14 Backing tracks/modal loops with advanced audio pitch-shifting, tempo variations, and an equalizer
– Fully featured tab section with zoom, fast scrolling, loops, tempo and tonality change
– Modal Music Theory
– Built-in Metronome
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All music is composed and played by Otto Reina
Scott Hutchison, the lead singer and songwriter of the Scottish folk-rock band Frightened Rabbit, was found dead on Thursday near South Queensferry, Scotland, the Edinburgh police confirmed, after a days-long search for the musician, who was said to be in a “fragile state.”
The police could not immediately identify a cause of death, but said it was not being treated as suspicious.
Mr. Hutchison, 36, had not been seen since the early morning hours on Wednesday, when he left a hotel in South Queensferry after sending two cryptic messages on Twitter. He wrote: “Be so good to everyone you love. It’s not a given. I’m so annoyed that it’s not. I didn’t live by that standard and it kills me. Please, hug your loved ones,” and “I’m away now. Thanks.”
If you’ve seen Easy A, you probably remember the scene where Emma Stone receives a card that plays Natasha Bedingfield’s “Pocketful of Sunshine” and how Stone’s character hates the song – at first. Flash forward to a few days later, and she can’t stop singing it.
There are songs that we can’t stand, yet can’t get out of our heads. There are also songs that we love and feel addicted to. For whatever reason, songs get lodged in our brains – and often stay there for a maddeningly long time.
Labled “earworms” by the scientific community, it’s been suggested that these ditties hang around longer in musicians’ minds than non-musicians’. What makes a song have such a huge impact on our brains? Below, we’ll run through the four main components of creating a catchy song that you can’t get out of your head, even if you want to.
But first, let’s revisit that clip of Emma Stone and “Pocketful of Sunshine” as a prime example of earworm invasion:
Septem Juncta In Uno – Seven Joined As One
The band was formed in 1981 and is made up of former musicians from the seven regiments of Her Majesty’s Household Division Bands namely:- The Life Guards, Blues and Royals (now the Household Cavalry Band), Grenadiers, Coldstream, Scots, Irish and Welsh Guards Bands. The present Household Division Musicians Association Band follows a long tradition of music making by musicians from these famous regiments.
Most of the members are still playing in leading London Orchestras, London Theatres, or teaching in music colleges and schools throughout the country.
The Band performs at numerous public and private engagements, most notably The Chelsea Flower Show, Eastbourne Bandstand, and at The Royal Hospital Chelsea. The Band rehearses at The Royal Hospital Chelsea, with which it is proud to be associated.
The band rehearses once a month on a Sunday morning from 10.30am – 12.30pm at The Band Room at The Royal Hospital Chelsea.
Director of Music: David Vaninetti-Smart FLCM
David began his musical career at the age of 13 as a trombonist for Barnstaple Town Military Band and Bideford Town Brass Band. In 1987, he joined the Army and was posted to the Band of the Worcestershire and Sherwood Foresters Regiment. During his two years at the Royal Military School of Music, David took a change of course, studying flute and classical piano under Graham Mayger and Veronica Clayton respectively. It was while he was at Kneller Hall that David discovered his passion for writing band arrangements.
After postings to Northern Ireland and Cyprus in the early nineties, David successfully passed an audition for the Life Guards Band of the Household Cavalry. During a series of summer concerts for the Household Cavalry band, David was persuaded by the Director of Music to take yet another musical change: he became the principal oboist of the Band, a position that he held until he left the army in 1998. During his military service he has performed all around the world, playing for all the members of the Royal Family, The Lord Mayor of London, as well as countless Ambassadors and diplomats.
At the beginning of 2016, I had an idea that I wanted to do something digitally/online that would help fellow musicians and be something that I could give back to the industry. My legacy if you like.
Now, I had no idea what it would be or how to do it so I set about learning the tech, digital marketing and website building. This was quite daunting for this fifty-something dinosaur but I quickly discovered that this modern sorcery was actually pretty easy. (Big thanks to DBL and SFM )
Hence, Freedom for Musicians was born. To be honest, the early manifestation of FFM was quite embarrassing in hindsight with no real identity and clumsy tech. However, I persevered and we now have a thriving online music magazine, independent record label and growing community of nearly 5000 musicians worldwide. FFM has Ambassadors representing Uganda, Kenya, Ghana, Canada, India, Azerbaijan, Czech Republic, Italy, USA, UK, Jersey CI and Indonesia. My initial concept has come a long way in a very short amount of time and I am immensely proud of our achievements so far,
Our focus now is to serve our members through publishing their music, videos and blogs. We advertise their products and services and release their music digitally in all stores world wide.
Please take a few moments to check out Freedom for Musicians as it now exists:
For more information and to contact me, Roger Moisan, email firstname.lastname@example.org or message me at Linkedin
Spirit communication through musical inspiration. A short film featuring Tim Foster aboard the infamous Floyd Tillman tour bus. A musician attracted the ghosts of famous country music personalities. A psychic translated the comments. A paranormal investigator recorded the actual spirit voices. “Fun and entertaining” “She loves you” “Can you see me?” “more please”
You can download Tim’s latest album ‘Clearwater’ at apple music and CD Baby
Thank you for making this journey with me into the minds of musicians I have worked with. My first recording project was in 1987 at Began Sound in Ft. Worth, TX. The release on cassette tape featured Jackie Moore (guitar, vocals), Glenn Shelton (guitar), James Mayfield (drums), Drew Thomas (harmonica) and myself (bass), “Back to the Brazos” and “It’s So Peaceful” remain with me on quarter inch reel to this day.
We produced a series of RiverConcerts and performance venues to raise awareness of the impending dam project on the Paluxy River with the tour lasting four years. The second was in 1998 at Cedar Valley Community College studio, “Ode to a Fisherman” (poem by David Lilly), “Take Me Back To Texas”, “South of the Four Sixes” and “Old Time Cowhand” (poems by TL Thompson) was a class project where Bryan Clark was tasked in the role of producer and not allowed to play the drum tracks himself.
The day of the session, Bryan searched the corridor at the school and came back with a drummer to fill in. His name is not known for credit here. Hank Black (guitar, harmonica) on these tracks with myself (guitar, bass, vocals and songwriting)…Bryan got an “A” on the project. In the summer of 2001 with funds earned from a major construction project, I decided to fulfill a long standing promise to again record Jackie Moore (songwriter, acoustic guitar, vocals).
We had been performing off and on throughout the decade. We selected the Diamond D studio on the Brazos River in Granbury and did several sessions on one inch analog tape. With Dan Hodan (lead guitar, mandolin) and a couple of failed drummers and engineering challenges, we abandoned the project when Jackie first introduced “Poet of the Prairie”. We needed a better studio so I found The Kitchen Recording Studios Dallas, TX to record three songs.
We came out with eight. The studio percussionist was Jeff Hennon and JP handled the ProTools. Very excited about these results, we scheduled another RiverConcert with Rusty Wier and Tres Hombres to headline the show in October. We were on KNON radio and Songwriter Showcase on DCTV with Lisa Byrn. Then came the infamous 9/11 event.
I was begged to cancel the RiverConcert and called Rusty to ask if he was afraid to do it. You would not believe what he said. The RiverConcert production was a huge success. The attendance; however, was not. As producer, I retained this project and in 2003 reentered the studio and replaced Jackie’s vocals with my own version of “Poet of the Prairie”, “I’ve Crossed the Brazos” and “Goodbye to a River” (not included).
I added Tracy Fletcher (tambourine, background vocal) to “Poet” with the assistance of Mark Dove during the 2008 sessions in Azle, TX where “On My Way” and “Fisherman’s Paradise” (written by Jackie Moore not included in the 2001 sessions) were recorded with Mark Dove (piano, harmonica) and myself (vocals, acoustic guitar and bass). During my many travels developing a solo career, I have written about and performed in various unique places.
There remains songs which need recording. In Stephenville, TX, I met Clif Hunter whose poem “Does Anyone Really Care to Know?” captured a standing ovation at the Irish pub at Branson Landing. It also captured the spirits on the Floyd Tillman tour bus near Galveston where “they” gave me the nickname “Clearwater” hence the title to this album and email address. The DVD movie production by Paranormal Investigations of Texas (paratexas.com) titled “Haunted Tillman Bus” and the original Jackie Moore and The Roadrunners CD are available on request. Thank you again for listening…see y’all while ago.
Conceived and conducted by Vincent Rees, the Red Planet Orchestra combine classical composition with a contemporary structure of electronic ambient music.
With sound artist Pete Smith, the Red Planet Orchestra has accumulated a growing body of work both rich in invention and subtlety. A sound palette of future memories and past dreams. Each release has created a landscape of intense serenity.
Their debut album, Aurora Symphony, was warmly received and now a firm favourite among fans – All albums feature original artwork conceived by Belgium artist Nicolas Crombez.
The Red Planet Orchestra continue to compose music for emerging film soundtracks such as the brilliant ‘Gorka’
Aurora Symphony – 2013
Secrets of Eternity – 2013
We Breathe Together-2014
States of Space -2014
The Angry Silence -2014
Time of Dark Consequences – 2016
Contamination – 2016
Dear Parents and members of adult groups
A proposal for East Sussex Music to withdraw from providing non-statutory instrumental lessons
I am writing to let you know that on 30 April the East Sussex County Council Lead Member for Education, Inclusion, Special Educational Needs and Disability is being asked to agree to consult on drawing up a proposal to close the instrumental teaching part of the service which would mean the Music Service ceases to provide small group and individual instrumental lessons.
As you may know, over the last few years it has been increasingly difficult for the Music Service to remain financially viable because of cuts to Arts Council and County Council funding. Over the last 4 years, the service has made savings of over £600,000 through restructuring and efficiency savings. However further recent reductions in funding mean that more savings are required.
Head of East Sussex Music
A so called consultation on these proposals will take place, but in my experience, these consultations pay nothing more than lip service to public opinion, with the intended outcome being a fait accompli. We have seen evidence of this strategy time and time again with the academisation of schools and the outsourcing of public services such as libraries and health care.
Of course those who will suffer the most are the children from low income families who receive subsidised lessons and special needs music provision. This doesn’t bother the tory councilors one little bit as the more affluent elite of the county will always be able to afford private education.
Around 75 highly skilled and gifted peripatetic music teachers will be made redundant, with their livelihoods and vocations being destroyed.
Once the damage is done it is irreversible. This wonderful and historic organisation will be lost forever, denying future generations the opportunities to be involved in the fundamental human activity of music making.
I urge you now to help stop this outrage by signing the petition and writing to your MP. Raise awareness on your own platform or network, and do anything else you can before it is too late and East Sussex Music Service is lost forever.
You do not need to be resident in East Sussex to sign the petition. Simply register on the ESCC website and sign.
At Freedom for Musicians, our philanthropic purpose is to serve and support musicians from any genre, style or culture by providing a free music promotional service via FFM Magazine.
Our services so far:
- All our musicians have access to the website via the admin team.
- A Musicians Directory
- Live stream your performance at the FFM Live Lounge
- Event promotion through our network of thousands of musicians worldwide.
- Members can advertise, for free, any musical product or service on the website. (Musicians Market Place)
- Flex your journalistic muscles and publish your music blog on our website.
- Become an International ambassador for your home country.
- Recording artists can access the marketplace through our own fully licensed independent (FFM Records Ltd) record label.
- An opportunity to be a Featured Artist.
- The Freedom Orchestra. An orchestra established to bring together recent settlers in the UK either refugees or migrant musicians. (Coming soon)
- Have your musical innovations promoted as ‘Featured Product’.
- Promote your online lessons to a global audience.
- Share and promote at our Facebook home.
If you would like us to promo your work, all you need to do is message me, Roger Moisan, with your links etc, and we will do the rest.
THERE IS ABSOLUTELY, AND WILL NEVER BE, ANY CHARGE FOR OUR SERVICES
You can join FFM by becoming a member of our Facebook Group
Message me personally through Linkedin
email – email@example.com