Raag Bhairav – The latest release from Ankur Biplav

Raag Bhairav is a morning raag and the performance of this raag is solemnly serious. The raag comes across as a musical entity with mood of meditation, philosophical depth and emotional richness.

Sample of Raag Bhairav by Ankur Biplav

Download Raag Bhairav by Ankur Biplav

Raag Bhairav by Ankur Biplav
Raag Bhairav by Ankur Biplav

Indian classical music is a genre of South Asian music.It has two major traditions: the North Indian classical music tradition is called Hindustani, while the South Indian expression is called Carnatic.

Raag Puriya Dhanashree-Ankur Biplav

Raag Puriya Dhanashree
Download Raag Puriya Dhanashree here

Preview Raag Puriya Dhanashree

Indian classical music has two foundational elements, raga and tala. The raga forms the fabric of a melodic structure, while the tala measures the time cycle.

The raga gives the artist a palette to build the melody from sounds, while the tala provides them with a creative framework for rhythmic improvisation using time.

There is no concept of harmony in Indian classical music. 

Ankur Biplav has been singing and learning Hindustani classical music for the last 14 years. He is studying with Guru Ustad Waseem Ahmed Khan. Ankur comes from Agra Gharana and currently he is learning music under him. He came from a small town, Purnea which is situated in the state  of Bihar. He started learning music at the age of 4 from Shri Amarnath Jha. Shri Amarnath is the disciple of the late Rajkumar Shaymanand Singh who is also his maternal Grandfather.

Ankur performs regularly and writes about Indian Classical music and dance. You can read Ankur’s work here. He is currently studying for a Bachelor of Science-Mass Communication degree at Xavier University Bhubaneswar.

Ankur Biplav



Our first Freedom For Musicians Recording Artists from across the globe

It is with great pride that we present to you, FFM Records’ catalogue of our very own recording artists. As FFM grows, so does our record label and our first artists come from four different continents and musical genres.

Introducing

Miss Dee by Dita Nurdian

FFM Artist – Dita Nurdian

Dita Nurdian is an Indonesian writer of electronica and dance music. Her passion for this genre is evident in her prolific output. At FFM Records, we have released 4 of Dita’s latest tracks and you can download them here, Beatport and stream on Spotify.

Measure of Abstract by Slawomir Rataj

FFM Artist – Slawomir Rataj

Slawomir Rataj is a guitarist and composer from Poland. Recently released under the FFM Records label,  Slawomir’s debut album ‘Measure of Abstract’ is an instrumental album that combines electronica with Slawomir’s phenomenal guitar playing.

You can download the album here, at itunes and stream on Spotify.

Transformation by Paul Hinman

FFM Artist – Paul Hinman

Paul Hinman is a UK based singer songwriter whose songs reflect  events that he has experienced in a rich and varied life. You can download Paul’s debut album here and stream on Spotify.

Raag Puriya Dhanashree by Ankur Biplav

FFM Artist – Ankur Biplav

Ankur Biplav is an Indian Classical Music singer specialising in South Indian Carnatic music.

Indian classical music has two foundational elements, raga and tala. The raga forms the fabric of a melodic structure, while the tala measures the time cycle.

The raga gives the artist a palette to build the melody from sounds, while the tala provides them with a creative framework for rhythmic improvisation using time.

FFM Artist – Andy Anies

Andy Anies is a Songwriter with thirty years of songwriting experience who has made it in the Gospel Music arena with 5 Albums. He has written songs for various artists as a ghostwriter. Andy is a versatile Stage Performer who makes it live on Stand-up Comedy, as he plays on the Solo Guitar over his mouth-organ.

FFM Artist – Debdeep Misra

Born in 1993, Debdeep Misra the grandson of legendary vocalist Pandit Bishnu Sebak Misra of Benaras gharana(piyari gharana) loved music enough to start listening, appreciating and learning at a very tender age of four under the guidance of his mother smt. Banani Misra-one of the desciples of Pt. A.kanan and Vidushi Girija Devi and his father who is disciple of pt. Mani lal Nag.



Debdeep Misra performing at Golpark Ramakrishna Mission – Raga Yaman



By Debdeep Misra, FFM Ambassador for India

“Indian classical music is a genre of South Asian music.It has two major traditions: the North Indian classical music tradition is called Hindustani, while the South Indian expression is called Carnatic.”

Indian classical music has two foundational elements, raga and tala. The raga forms the fabric of a melodic structure, while the tala measures the time cycle.

Indian classical music is a genre of South Asian music.It has two major traditions: the North Indian classical music tradition is called Hindustani, while the South Indian expression is called Carnatic.

The raga gives an artist a palette to build the melody from sounds, while the tala provides them with a creative framework for rhythmic improvisation using time.

There is no concept of harmony in Indian classical music. 

Here Debdeep Misra performs raga YAMAN……WHICH IS INDIAN CLASSICAL RAGA. Yaman emerged from the parent musical style of Kalyan Vilambit bandish  ” kahe sakhi kayse ke ka kariye”
Debdeep Misra
Debdeep Misra, FFM Ambassador for India



हिंदी एफएफएम (Hindi FFM) – गांधी और संगीत …(Gandhi and Music)


अंकुर बीप्लव
अंकुर बीप्लव

महात्मा गांधी – राष्ट्र के पिता, हम सभी को एक स्वतंत्रता सेनानी के रूप में जानते हैं, एक व्यक्ति जो हमेशा सच्चाई और अभाव में, एक दैवीय आत्मा और अपने देश के लिए महान प्रेम और सम्मान वाले व्यक्ति हैं। हम सभी ने अपने जीवन के विभिन्न पहलुओं के बारे में सुना है / पढ़ा है, लेकिन आज हम संगीत के लिए उनके प्यार के बारे में बात करेंगे। हाँ! अधिकांश लोगों को लगता है कि वह सभी कलाओं और संगीत के खिलाफ थे लेकिन संगीत के लिए उनका विचार- “संगीत अकेले गले से आगे नहीं बढ़ता मन, संवेदना और हृदय के संगीत हैं ”

कुंआ! हम सब प्रसिद्ध भजन- “वैष्णव जन” और “रघुपति राघव” के पास आए हैं, ये भजन नियमित रूप से उनके आश्रम में खेले जाते थे। उनके अनुसार सच्चे संगीत में कोई बाधा नहीं है। संगीत वह शक्तिशाली हथियार है जिसमें उसकी भावनाओं को बदलने / नियंत्रित करने की शक्ति है। गांधीजी का दिन भजन के साथ शुरू होगा और भजन के साथ समाप्त होगा। प्रसिद्ध संगीतकार जैसे- पं। एन.एम. खर, मामा फडके, श्री विनोबा और बल्कोबा भावे अपने आश्रम के भजन सत्र का एक हिस्सा थे। उनके आश्रम में भजन के दौरान धर्म, जाति, पंथ, क्षेत्र, भाषाओं आदि का कोई भेदभाव नहीं था। उनके अनुसार संगीत एक था राष्ट्रीय अखंडता का शानदार तरीका क्योंकि यहां विभिन्न रिघीजेन्स के संगीतकार एक साथ बैठते हैं और एक संगीत कार्यक्रम में प्रदर्शन करते हैं। उन्होंने अक्सर कहा, “हम एक संकीर्ण अर्थ में संगीत को ध्यान में रखकर साधन लिखना और अच्छी तरह से खेलने की क्षमता का मतलब करेंगे, लेकिन इसके व्यापक अर्थों में, सच्चे संगीत तब ही बनाया जाता है जब जीवन एक धुन और एक ही समय की धड़कन के साथ होता है संगीत का जन्म होता है जहां दिल की तार धुन से बाहर नहीं होती है। ” जब गांधीजी दक्षिण अफ्रीका में थे तो उन्होंने आश्रम में शाम नमाज शुरू किया था। भजन का यह संग्रह बाद में – ‘नीतीवम कव्यो’ के नाम से प्रकाशित हुआ।

संगीत सुनने से हमें कई तरीकों से मदद मिल सकती है शायद, यही कारण है कि गांधी जी को संगीत की ओर आकर्षित किया गया था। संगीत एक शानदार मस्तिष्क व्यायाम है जो मस्तिष्क के हर ज्ञात भाग को सक्रिय करता है। यह जीवन के सभी चरणों में एक स्मार्ट, खुश और अधिक उत्पादक बना सकता है गांधी जी ने यह भी सोचा था कि संगीत लोगों के मन में शांति और सामंजस्य स्थापित करने का एक तरीका था। संगीत सुनना मानव मन को एक अनन्त शांति देता है, यह सुनिश्चित करता है कि उनका दिमाग हिंसा के प्रति आकर्षित नहीं है। किसी ने एक बार महात्मा से पूछा, “महात्माजी को संगीत के लिए कोई पसंद नहीं है?” गांधीजी ने उत्तर दिया- “अगर कोई संगीत नहीं था और मुझमें कोई हँसी नहीं थी, तो मैं अपने काम के इस कुचल बोझ से मर गया होता।” गांधीजी बहुत संगीत से जुड़े थे  22 दिसंबर, 1 9 45 को उन्होंने रबींद्रनाथ टैगोर को लिखे गए पत्र के जरिए संगीत के लिए उनका प्यार देखा जा सकता है जिसमें उन्होंने रबींद्रनाथ टैगोर का सुझाव दिया था कि भारतीय शास्त्रीय संगीत के साथ साथ पश्चिमी शास्त्रीय संगीत को बंगाली संगीत के साथ दिया जाना चाहिए। इससे यह भी पता चलता है कि गांधीजी को विभिन्न संगीताओं का बहुत ज्ञान था।     गांधी जी का जीवन लय और सद्भाव से भरा था उन्हें भजन के साथ अपना दिन शुरू करने की आदत थी और भजन के साथ अपना दिन समाप्त भी किया था। आजकल कई हिंसा देखी जा रही हैं शायद लोगों के बीच शांति, सामंजस्य और भाईचारे को सुनिश्चित करने का एकमात्र तरीका संगीत है।

English Translation

Mahatma Gandhi- The father of Nation, we all know him as a freedom fighter, a person who always believed in truth and nonviolence, a divine soul and a person having great love and respect for his country. We all have heard/ read about his various aspects of life but today we will talk about his love for music. Yes! most of the people think that he was against all arts and music. But his thought for music was-
“Music does not proceed from the throat alone. There is music of mind, of the senses and of the heart. ”

Well! we all have came across the famous bhajans- “Vaishanav Jan” and ” Raghupati Raghav”, these bhajans were played at his ashram regularly. According to him In true music there are no barrier. Music is that powerful weapon which has the power to change/control one’s emotions. Gandhijis’ day would start with bhajans and would end with bhajans. Famous musicians like- Pt. N. M. Khare, Mama Fadke, Sri Vinoba and Balkoba Bhave were a part of his ashram’s bhajan sessions.. During the bhajans in his ashram, there was no discrimination of religion, caste, creed, region, languages etc.

According to him music was a great way of national integrity because here only musicians of different religions sit together and perform at a concert. He often said, “We shall consider music in a narrow sense to mean the ability to sing and play an instrument well, but, in its wider sense, true music is created only when life is attuned to a single tune and a single time beat. Music is born only where the strings of the heart are not out of tune.” When Gandhi Ji was in South Africa he had started evening prayers in the Ashram. That collection of bhajans were later published under the name of – ‘Nitivam Kavyo’.

Listening to music can help us in lot of ways. Maybe, that’s why Gandhi Jee was so attracted towards music. Music is a fantastic brain exercise that activates every known part of the brain.  It can make one smarter, happier and more productive at all stages of life. Gandhi Jee even thought that music was a way of establishing peace and harmony in the minds of people. Listening to music gives an eternal peace to human mind thus, will ensure that their mind isn’t attracted towards violence.

Someone once asked the Mahatma“Mahatmaji don’t you have any liking for music?” Gandhi Jee replied- “If there was no music and no laughter in me, I would have died of this crushing burden of my work.” This shows how Gandhi jee was so attached to the music.
His love for music can be seen by the letter he wrote to Rabindranath Tagore on December 22, 1945 in which he suggested Rabindranath Tagore that due place should be given to Indian Classical Music as well as Western Classical Music along with bengali music. This also shows that Gandhi Jee had great knowledge of different genres of music.

Gandhi Jee’s life was full of rhythm and harmony. He had a habit of starting his day with bhajans and also ending his day with the bhajans. A lot of violence is witnessed nowadays around the world perhaps music is the only way to ensure peace, harmony and brotherhood among people.




बाबा (राजकुमार श्यामानन्द सिंह) की याद में …


अंकुर बीप्लव द्वारा

आज सुबह जब रियाज़ कर रहा था, उसी वक़्त  मुझे अपने बचपन की याद आ गई जब मैं अपने दादा जी से मिलने देवघर  (झारखण्ड ) गया था और वहां दादी माँ के कैसेटों के संकलन से सुबह -सुबह जौनपुरी की बंदिश ऐ रि फिरत एक दमदार आवाज़ में सुना.

उस वक़्त तक मैं राग से अनजान था, सुर का भी ज्ञान नहीं था लेकिन गीत सुनकर मैं डूब गया। गजब का आकर्षण था उस आवाज़ मे . बाद में दादी माँ ने बतलाया वो कोई और नहीं उनके पिता जी स्वर्गीय राजकुमार श्यामनन्द सिंह की आवाज़ है। मैं बहुत ख़ुश हुआ था।

बाद के  वर्षों में जब मेरी थोड़ी और रूचि बढ़ी तो मैंने राजकुमार श्यामानन्द सिंह की आवाज़ में “दुःख हरो द्वारिकानाथ ” को सुना और ऐसा लगा कि वो सच मे कितने दिल से द्वारिकानाथ को याद किया करते थे . जितनी बार इस भजन को सुनता उतना और सुनने का मन करता. यहीं से शास्त्रीय गायन से मेरा लगाव बढ़ा।

बाद में राजकुमार श्यामानन्द के बारे में ख़ूब सारी जानकारी इकट्ठा करने लगा। उनका जन्म 27 जुलाई 1916 को हुआ था.उन्होंने अपनी शुरुआती संगीत शिक्षा उस्ताद भीष्मदेव चटर्जी से ली थी.बाद के दिनों मे उस्ताद बच्चू खान साहब  और पंडित भोलानाथ भट्ट से भी उन्होंने संगीत की शिक्षा ली थी.

जैसा की मेरे घर में पापा बताते हैं की उनकी दुःख हरो द्वारिकानाथ भजन को सुनकर केसरबाई जैसी गायिका  ने उन्हें अपना गुरु बनाने की इच्छा जताई की थी.जब भी कोई इनके गाने को सुनता तो वो बस सुनता ही रह जाता था। सबसे खास बात इनके गाने की वो थी बंदिश की अदायगी .

वैसे मेरी दादी माँ यह भी बताती है की बाबा (राजकुमार श्यामनन्द सिंह) शिकार के भी बहुत शौक़ीन थे.वे स्पोर्ट्स मे भी उतनी ही रूचि रखते थे. मैं सोचता हूं कि बाबा एक जीवन में कितना कुछ कर गए। उनके बारे में सोचकर ही रोमांचित हो जाता हूं।

आज 9 अप्रैल 1994  के दिन ही उन्होंने गाते गाते ही अपने प्राण त्याग दिए थे. ये मेरा सौभाग्य  है कि वो मेरे पापा के नाना जी थे. लेकिन मुझे इस बात का दुःख है की मै उनसे कभी मिल न सका ना उन्हें गाते सुन पाया . तो भी यह सोचकर गर्व होता है कि मैं उनके परिवार का हिस्सा हूं। वो सच मे एक गायक नहीं साधक थे.


FFM Indian Ambassador Debdeep Misra to Perform at Golpark Ramakrishna Mission



Debdeep is an Indian Classical Music Singer of the ancient Indian tradition. He will be performing at the GOLPARK RAMAKRISHNA MISSION on the 7th April from 6pm. All are invited but if you are not in this part of India or, not in India at all, you can see Debdeep’s concert here at FFM via the Live Lounge.

Good luck Debdeep and much love from your friends around the world!!

Debdeep Misra, International Ambassador for India.



SPIC MACAY- An Indian Cultural Movement…


Just saw a post on Facebook which gave the details of the SPIC MACAY’s 6th International Convention at IIT Kharagpur. The organisation has came too far and has been successfully fulfilling its primary objectives.

Spic Macay
Prof. Kiran Seth
An organisation which was the vision of a young IIT Kharagpur Graduate, started in a small room, in order to spread Indian music, culture, and heritage to youth across the country, Spic MACAY was started by Kiran Seth.
Prof Kiran shares that many people opposed the idea initially. “When we started, most people were of the opinion that there were many more important problems that faced mankind.
Many of my colleagues, friends and relatives often asked me why I was wasting my time on ‘gaana bajaana’. I must admit that I was often confused and did not know whether I was on the right track, but some intuition kept me going.”
Keeping the goal of connecting the youth with something which is their own, which is something to be proud of, was what Prof. Kiran was after. SPIC MACAY not only introduces the students or the youth to the Indian classical music, dance, folk music, yoga and other fields of Indian culture but also tries to develop their interest in these fields.
An organisation which started just as an unique experiment has worked effectively for many students, helping them in understanding the fine art of living.
Spic Macay
Pt Jasraj at performing at SPIC MACAY’s concert
Over the past decades of Spic MACAY’s existence, its activities have comprised of performances and workshops on folk and classical arts held in different educational institutions across the country which has been made possible by a strong volunteer force.
The organisation has grown organically, falling, but rising each time, and learning all the way. The organisation believes that experiencing performances, and learning of unknown art forms not only instills a sense of appreciation among the youth, but also shows us how pluralistic our country is. It shows us how rich our culture is and how unknown we are to it.
The biggest challenge the movement faces is the lack of funds. As per the policy of the organisation, participants pay no fee, and the organisation solely depends on donations, and government, corporate, and individual grants and sponsorships.
With exposure to the fine arts over the 40 years, Spic MACAY’s work has helped the Indian youth to take pride in being Indian, appreciate the rich and pluralistic culture of the country, and to also become sensitive to others around them.

Read more about Ankur Biplav

What Music Defines Indian Youth Culture? By Ankur Biplav



What music defines Indian youth culture?






Ankur Biplav
By Ankur Biplav, Indian Musician

When we think of the music that defines our current youth culture, genres like hip hop, jazz and indie music come to  mind. We are living in an era of autotune and lip sync where anyone or everyone can become a singer. On the other hand, classical music is probably one of the genres which many youth would be least likely to identify.

But, the notion of youth towards classical music is changing. The young superstars of any genre of music are the icons for  society and so is the case with classical music. The young maestros are the icons for the youth. The young maestros, who not only are great performers, but are also imparting the rich culture and tradition of Indian Classical Music to the generation next.

Ustaad Waseem Ahmed Khan
Ustaad Waseem Ahmed Khan

Ustaad Waseem Ahmed Khan, who comes from the great lineage of traditional musicians of Agra Gharana, is one of the finest vocalist of Agra Gharana in the country currently. The musicians of the Agra Gharana play with laya, weaving in words, to make patterns around the beat. Khayal in the hands of the performers from the Agra School is a progression — from the abstract to the concrete and from the divine to the human.

All these can be seen in the singing of this maestro.He took his initial taalim from his grandfather Ustaad Ata Hussain Khan and also his father Ustaad Naseem Ahmed Khan. Later, he joined ITC Sangeet Research Academy where he took his taalim under Ustaad Shafi Ahmed Khan. Currently, he is imparting his knowledge of music to the future generation as a faculty at ITC Sangeet Research Academy.

Smt. Kaushiki Chakrabarty
Smt. Kaushiki Chakrabarty

The sweet, melodious and the divine voice Smt. Kaushiki Chakrabarty, one of the most promising classical vocalists of Patiala Gharana of this generation. The famous thumri of Patiala Gharana “Yaad Piya Ki Aaye”, Kaushiki in her unique style has not missed a chance to impress the audience with this thumri, whenever and wherever she sings.

She, born into a musical family learnt music under her father Pt. Ajay Chakrabarty who himself is a legendary vocalist. She, with her mellifluous and melodious voice and her mastery over various ragas has made the music lovers her fan across the globe. She is also regarded as the “torch bearer” of the Patiala Gharana.

A very rising Shisya of a very able guru, Pt Omkar Dadarkar shisya of Pt Ulhas Khasalkar are two such great musicians of the country who can sing the gayaki of Agra, Jaipur and Gwalior gharanas with equal ease.

Omkar Dadarkar
Omkar Dadarkar

Omkar Dadarkar was previously a scholar at ITC SRA and now he is also imparting his unique style of singing to the generation next. Bismillah Khan Yuva Puraskar has been awarded to him in 2010 for his services to the Indian Classical Music.

The Indian Classical Music is very unique. In order to truly appreciate/learn this style of music, one must have patience and a true love for musical prowess. For current youth, it’s a process to enjoy Hindustani classical music, and it takes some research to find the right songs and proper singers as well. The complexities of the art include the taal (beats), the thaat (notes specific to certain raags), and the coming together of melody, beats, and scales that take years – even decades – to master.

But, one must understand that there is no need to understand music as along as it gives you peace and happiness. There are many musicians like- Ankita Joshi, Arshad Ali Khan, Ritesh and Rajnish Mishra, Brajeswar Mukherjee who are not only great performers but are also passing the rich ethos and tradition of Indian Classical Music to the next generation. The time will soon come when people, especially the youth will have Indian Classical Music in their playlists. Because Indian Classical Music is not only a music to ears but also a music for soul.

To Conclude, Ustaad Bade Ghulam Ali Khan talking about Indian Classical Music said-“If in every home one child was taught Hindustani classical music, this country would never have been partitioned.”

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Introducing Our New Feature – Spotlight on a Music Student


At FFM, we want to highlight new and aspiring musical talent wherever we find it and where better than the many Music Colleges, Universities and Schools around the world. Our new feature ‘Spotlight on a Music Student’ is an opportunity for you or someone you know to step into the spotlight and share your talent, dreams and ambitions with the musical world.

All you have to do is send us your information, pictures, videos, sound clips and links  and we will compile your feature.

email direct to rogermoisan@yahoo.co.uk

Much love and happy music making,

The FFM team

Happy Diwali 2017!

Let the light of the lamps brighten your life,
And give you success and guidance to walk towards your dreams.
Wishing you a prosperous Diwali 2017.

Gulab jamuns, rasgullas, laddus,
sparklers, crackers and diyas
all are back here to announce
the arrival of Diwali!
so adorn your most colourful attires
and get ready to celebrate!
Wish you a Happy Diwali 2017!

May thousands of lamps light up your life
with endless happiness, richness, health and wealth forever
Wishing you and your family a very ‘HAPPY DIWALI 2017’

Ek diya Ganesh ji ke naam ka,
Ek diya Lakshmi ji ke prasad ka,
Ek diya meri is shubhkaamna ka,
Safalta rahe tumhare saath sada!
Shubh diwali 2017!!

Diwali aayee, masti chhahi, rangi rangoli,
Deep jalaye, dhoom dhadaka, chhoda phataka, jali phuljadiyan,
Sabko bhaye.
Happy Diwali 2017!

It is the time to celebrate!! It is the time to Dance!!
It is the day to exchange sweets. It is the day to visit the temple.
To thank god for his love and affection.
Happy Diwali 2017 to you!

Deepon ki tarah tum sada jagmagaate raho,
Lakshmi ji ka aashirwaad paate raho,
Meri hai yeh shubhkaamna tumhe
Ki tum hamesha yu hi muskurate raho!!
Shubh deepawali 2017!!

Yeh deep nahi Deepavali ke,
Yeh deep hai us roshni ke
Jo hamare dilo me prem, sohaard vishwaas jalaye!
Shubh deepavali 2017!!

May this Rangoli decorate your life with-
R- Rainbow of happiness
A- Affection of loved ones
N- Nourishment
G- Glory in every field
O- Overwhelming success
L- Lasting good health
I- Instant smile
A very happy and prosperous Deepavali 2017!

May this Diwali be bright for you and your family. May God fulfill all your wishes this Diwali. Happy Diwali 2017!

Pal pal se banta hai ehasas,
Ehsas se banta hai Vishvas,
Vishvas se bante hai Rishte,
Aur rishte se banta hai koi Khas,
Wishing you a Happy Diwali 2017!

May millions of lamps illuminate your life with endless joy, prosperity,
health and wealth forever.
Wish you and your family a very happy Diwali 2017.

Lakshmi ji aapke dwaar pe aayi hain,
Dar par tumhare nayi khushiyaan laayi hai,
Diwali aayi h khushiyan laai h.

On this auspicious occasion,
May joy, prosperity, and happiness
Illuminate your life and your home.
Wishing you a Happy Diwali 2017!

May the light of Diwali fill your world and your heart with joy
And may the love that is always yours,
bring you endless joy.
Have a wonderful Diwali and 2017 New Year 2018!

Open your doors for Goddess Lakshmi
Pray to Ganesha for wisdom and prosperity
and open your minds to good thoughts
Sending you loads of hugs and goodwill.
Wish you a very happy and memorable Diwali 2017 to you all!

I take the pleasure for wishing you and your family members a very Happy Diwali. I pray you get everything which you need from your life. Happy Diwali 2017…