To assist musicians as they express themselves on their chosen platform, is very purpose driven. Tip of the hat to your willingness to serve those you relate so well with. You will do exceptionally well, enjoy your journey as you without doubt will uplift others! wade-bergner.com. Namaste, Wade
Freedom For Musicians is well into changing the world of “Notes”.
Seems to be an affair of the heart where you are pouring in everything you have. And the results are coming through load and crystal clear.
Amazing how proud you should be the emotions behind which are like music to my ears.
Susan Patricia Connor Lewis
Director / firstname.lastname@example.org
What an amazing site!
I love the energy of it! I am not a musician myself, but I do love music. Your site is easy to navigate and it’s easy to find everything I was looking for. The best thing is I have found some new music that I really love – the artists are amazing and I’ll be keeping a close on the updates! I look forward to checking through more of some of your amazing music. Thankyou!
Karen and Jacky
Thanks for providing a fabulous platform
As a musician myself I really love what I’m seeing here. I don’t perform professionally any more but did so for many years with my partner. These days we still write, record and play and are in the process of creating an archive website for our back catalog to live on. We were slogging away way before Facebook, Youtube and all the other social platforms existed.
I grew up with a beautiful Christmas story called “The Carol That Never Was Sung,” written by my father– a writer, peace activist and lover of music.
My pacifist parents had left the organized church in their youth, disillusioned when it declined to oppose war, stand for social justice, and take radical risks. But they believed in the persistence of hope in dark times, and they recognized the many ways, across religions, cultures and histories, of telling stories of hope.
“The Carol That Never Was Sung” told of a song that somehow never managed to show up in time to help celebrate the birth of “the child”: each year, it had met someone who was lost, imprisoned, at war, exiled, or orphaned – and had always stopped to bring the consolation of music, and was therefore too late. “But next year”, the carol promises…
We are almost in another “next year” and those songs are more needed than ever.
FFM are really ambitious for our members and in 2018 we want to offer scholarships, bursaries and financial assistance to aspiring musicians.
Help us achieve this by visiting our sponsors below
In the 1950s and 60s, African Americans rose up against the crippling, dehumanizing injustice of systemic inequality and racism. One of the many songs that brought people together, gave courage and kept spirits up was Eyes on the Prize. “Keep your eyes on the prize, hold on.” Violent repression, jail, beatings, sometimes even death did not stop that movement from holding on.In today’s global turmoil of war, injustice and climate disaster, we need to remember to hold on.We need to hold on to the knowledge that positive social change always comes from the ground up, and we are on the ground, making those changes.
We need to hold on to each other, build community around the world, encourage each other, work together, take care of each other.
We need to hold on to our vision, inspired by the values of active nonviolence and creative, inclusive music making, bringing connection, community and hope.
As 2017 comes to a close, we ask our supporters around the world to hold on to your hope, to your communities, and to us. Please help us to continue our work in 2018, keeping our eyes on the prize.
In today’s global turmoil of war, injustice and climate disaster, we need to remember to hold on.
“If there is something to be changed in this world, then it can only happen through music.”• Jimi Hendrix
Musicians without Borders uses the power of music to bridge divides, connect communities, and heal the wounds of war.
Our long-term commitment allows our participants the time to develop skills and talents, process grief and loss, and build bridges of reconciliation in societies divided by recent or ongoing conflict. Our professional trainers are specialized in running community music projects with people dealing with trauma, fear and isolation as a result of war and conflict.
We work closely with local musicians and organizations to build sustainable projects in response to local needs. From successful projects we develop models, methodologies and trainings to adapt for other regions.
Musicians without Borders is building a global network of musicians and music lovers who support our work with their time, energy, expertise and financial donations.
“You may be poor, you may only have a ramshackle house, you may have lost your job, but that song gives you hope.”•• Nelson Mandela
Where war has raged, people need everything to return to life: food, water, shelter, clothing, medicine. But more than anything, people need hope. To reconcile, people need empathy. To heal, people need connection and community.
Music creates empathy, builds connection and gives hope.
Music crosses ethnic divides and provides neutral space to meet through shared talents and passions.
Community music-making is a direct and accessible tool for connecting people and engaging and mobilizing communities.
From drum circles to choirs to rock bands, music can be practiced by any person at her/his own level regardless of musical skills, whether in small groups or in a setting of hundreds or even thousands of people.
PROJECTS & PROGRAMS
Mitrovica Rock School – In post-war Kosovo, aspiring young rock stars meet across divides at the Mitrovica Rock School, where it’s all about the music.
Palestine Community Music – Training youth and young professionals to bring music to marginalized children in West Bank refugee camps, villages, schools, hospitals and orphanages.
Rwanda Youth Music – Introducing music therapy, training and community music activities to empower youth and children affected by HIV/AIDS.
We drove out of the crammed city, past polluted rivers, on dirt roads through dried-out palm forests, to a small school in the woods. Gang territory.
A few weeks ago, I traveled with one of our trainers through El Salvador to plan a project with UNICEF: strengthening children’s resilience in a country that has suffered from war and its successor—gang and criminal violence—for many decades.
Against a hopeless context—dislocation, poverty, decades of unprocessed trauma, lack of economic or social perspective—we met them: Pablo, a young violinist, who returned from exile to start a children’s orchestra in his native town. Sister Peggy, whose Center for Art for Peace brought life back to an empty city and made it safe. Mia, a musician who has taught generations of young Salvadoran artists to teach children in their own communities. David, Gabriel and Cecilia, who bring children to their cultural center in the woods, to draw, write, make music, and learn about their indigenous heritage.
They remind me of the words of a dear, wise friend: where empathy is lacking, be empathy. Where hope is lacking, be hope.
In a world dominated by violence and hopelessness, we are reminded that in every dry jungle, there is an oasis of hope. As musicians, we are lucky to have the greatest tool for empathy and hope: music. We are proud to join with other musicians without borders, to support their work in bringing empathy and hope through music to the children of El Salvador.
With your help, we will train 15 more Community Music Leaders, and support our team of 30 experienced Community Music Leaders to work with over 1000 children in 2017; former street children; young people facing profound challenges, and children affected by HIV. Through life-affirming music and connection to their cultural roots, children will feel supported and valued as they so richly deserve.
On this 23rd Day of Remembrance in Rwanda we stand with all Rwandans in memorial and for a peaceful future.
A young band from our partner organisation in Rwanda wrote this song, expressing their feelings of the tragic events of 1994. It begins:
“Although I wasn’t there, I was told about it.
Imagining it is hard for me.
Their tears are flowing and they are full of sadness and my sorrow.”