Conceived and conducted by Vincent Rees, the Red Planet Orchestra combine classical composition with a contemporary structure of electronic ambient music.
With sound artist Pete Smith, the Red Planet Orchestra has accumulated a growing body of work both rich in invention and subtlety. A sound palette of future memories and past dreams. Each release has created a landscape of intense serenity.
Their debut album, Aurora Symphony, was warmly received and now a firm favourite among fans – All albums feature original artwork conceived by Belgium artist Nicolas Crombez.
The Red Planet Orchestra continue to compose music for emerging film soundtracks such as the brilliant ‘Gorka’
Aurora Symphony – 2013
Secrets of Eternity – 2013
We Breathe Together-2014
States of Space -2014
The Angry Silence -2014
Time of Dark Consequences – 2016
Contamination – 2016
Dita Nurdian is an Indonesian writer of electronica and dance music. Her passion for this genre is evident in her prolific output. At FFM Records, we have released 4 of Dita’s latest tracks and you can download them here, Beatport and stream on Spotify.
There is no greater joy I can think of than that of switching the radio station and randomly hearing…
Play along as you read. I dare you NOT to.
Missy Elliott’s “Work It”*
(*also applies to:
“Get Ur Freak On,”
“Gossip Folks” and
This celestial alignment has occurred to me on multiple occasions, often when I could honestly use a little “Misdemeanor” mojo. And each time, almost without fail, such an elation came over me that it has made my day.
Sure, I could just download the song and pop it on as needed, but the fact that I just happen upon it — in my OCD/FOMO channel-surfing way — makes the songs somehow sweeter.
All the active ingredients of the tune provide a quick remedy to whatever is “hurtin’ on ya”:
The elephant roar to bleep a certain part of the male anatomy.
The flipped/reversed lyric in the hook.
The drops, thumping baseline and dance-inducing melody. (Thank you, Timbaland!)
The onomatopoeic lyrics! (“bum-bump-bum-bump-bump,” “badonk-a-donk-donk”)
The “…get your hair did”
The Run-D.M.C. “Peter Piper” BELLS at the end!
It is a song that has stood the test of time for me. More than a decade and a half after its release, I’m still head-bobbing. And now that my daughter enjoys her music popping up too, it is all the more fun. There are definitely impromptu dance parties in the car.
I am honestly happier after I get a dose of “Work It”. Yes, Missy, it’s still “worth it.” Thank you.
Kristen Anderson-Lopez and Robert Lopez’s “Remember Me” from the animated film Coco has just won the Best Original Song Academy Award.
This latest triumph is Kristen Anderson-Lopez and Robert Lopez’s second Academy Award together. The married couple won their first (and until now, only) Oscar for writing the international hit “Let It Go” from Frozen. That song (and the incredibly popular soundtrack it was featured on) also won them a pair of Grammys the following year. Robert Lopez is an EGOT winner, as he has also taken home an Emmy and a Tony Award, making him one of the few talents in history to do so.
“Remember Me” was sung by many different actors throughout the film, but the version that was released as a single was fronted by R&B superstar Miguel and Natalia Lafourcade. The track didn’t become anywhere near as ubiquitous a hit as “Let It Go,” though it was well-received and still did well enough in a few territories.
Kristen Anderson-Lopez and Robert Lopez’s “Remember Me” beat out the following four other worthy songs: Pasek & Paul’s “This Is Me” from The Greatest Showman, Sufjan Stevens’ “Mystery of Love” from Coco, Diane Warren and Common’s “Stand Up for Something” from Marshall and Mary J. Blige, Raphael Saadiq and Taura Stinson’s “Mighty River” from the film Mudbound.
Freedom for musicians is an international cooperative for musicians to share and cross promote each other’s work. In our Facebook group you can promote your gigs, products and
services to an international audience. You can also feature on our website www.ffmrecords.com
If you’ve ever wondered what Christmas Eve at Bob Dylan’s house might be like, the video for his rollicking Christmas polka song “Must Be Santa” offers a window into what happens when Dylan and his guests have a little too much eggnog.
At FFM, we want to highlight new and aspiring musical talent wherever we find it and where better than the many Music Colleges, Universities and Schools around the world. Our new feature ‘Spotlight on a Music Student’ is an opportunity for you or someone you know to step into the spotlight and share your talent, dreams and ambitions with the musical world.
All you have to do is send us your information, pictures, videos, sound clips and links and we will compile your feature.
Every day throughout December, FFM will be opening a virtual advent calendar window featuring a different Christmas song, culminating with our readers’ all-time favourite on Christmas Day. Vote for your favourite by commenting in the box below.
Hands up if you remember a time when films had a theme tune! I’m talking Ghostbusters, Weird Science and Men in Black. This was a time when the theme song was already topping the charts weeks before anyone had even seen the accompanying movie. What on Earth happened to the days of old when you could see the film, wear the t-shirt and sing the theme tune while eating from a popcorn box with the lead actor on it? It seems that only James Bond movies have continued this grand tradition, but they would never consider having the main star record the song like most Will Smith films from the 90s.
It is time to bring back the music people!Recently Warner Bros have released Kong: Skull Island. This is the kind of popcorn movie fodder that a marketing agency adore. Big stars, big concept and a well-known franchise. But why hasn’t anyone thought of asking one of the latest chart-topping stars today like Drake or Sean Paul to cover Sisqo’s ‘Thong Song’ but changing the thong to well, Kong! “Let Me Hear You Say – Kong, Kong, Kong, Kong, Kong Kong”. Now that is a song that needs to be recorded and would surely lead to thousands downloading the official soundtrack!
It was quite a surprise for fans of Ghostbusters to have their favourite film remade with a cast of female actors. Twitter was ablaze with fury at replacing their male heroes with stars of Bridesmaids and Saturday Night Live. If only Rhianna had covered Ray Parker Jr’s classic tune. Imagine the online rage, especially if she had eclipsed the original. An opportunity wasted.
Most of the big summer blockbusters at the moment have been super-hero related, and maybe Marvel Studios and Warner Bros feel they don’t need to cheapen their franchise by having anyone re-record the cheesy cartoon themes. Though the Sam Raimi directed Spiderman trilogy tended to have rock bands record a song inspired by the movie: Nickelback’s Chad Kroger & Josey Scott’s ‘Hero’ and Snow Patrol’s ‘Signal Fire’. But alas the new reboot will probably choose not to recordJustin Bieber’s a capella version of the 60’s much loved Spiderman theme. The 90’s Batman series were famous for their successful song tie-ins : U2’s ‘Hold Me Kiss Me Thrill Me’ and The Smashing Pumpkins’ The End Is The Beginning Is The End’ are two of the greatest singles of the era, but they were tenuously linked to the films. Could Batman V Superman not have had a track inspired by the rivalry? Maybe Limp Bizkit V Korn, with a video filmed on top of a burning skyscraper and a bagpipes solo? It would have been at least more entertaining than most of the film.
Something has to change and film studios need to get their act together and start getting music and film working together to make a brighter future. There may be an Ellie Goulding track written for the 50 Shades Of Grey soundtrack, but this is just one song rare example. There are just so many opportunities being missed. OK, not every movie song was a winner, Paul McCartney should probably have stayed clear of Spies Like Us and Vanilla Ice should never mix Teenage Mutant Ninja Turtles with rapping. But let us remember the good times and here are the 5 great movie songs for your enjoyment.
Queen – ‘Who Wants To Live Forever’
No one can sing a ballad as well as Freddie. From the 80’s cult classic Highlander directed by Russell Mulcahy, who was more famous for his extravagant music videos at the time. The soundtrack by Queen was better than the actual film, which is pretty much what happened when the same band chose to record the soundtrack for Flash Gordon. Basically if you want your film to be eclipsed by the music, don’t bloody hire Queen.
Duran Duran -‘View To A Kill’
From the James Bond film of the same name, Duran Duran recorded this at the height of their eighties’ glory. They were so high on their ability and fame they could just ask the producers if they could record the next Bond theme and it would happen. Though as their fame faltered they had to put up with recording the theme tune to The Saint starring Val Kilmer, which is quite a coincidence as Roger Moore played The Saint and James Bond. And speaking of coincidences, fact fans, is that Russell Mulcahy also directed this video before moving on to making Highlander. How interesting!
Simon & Garfunkel- ‘Mrs Robinson’
Simon and Garfunkel penned this beauty decades before the term ‘milf’ was conceived and at a time when it was a rarity for a pop band to record a film soundtrack. The song has been covered to death by the likes The Lemonheads, Garth Brooks and Busted, but the original still rings true as a film classic.
The Psychedelic Furs – ‘Pretty In Pink’
One of the rare times when the song came before the film, Pretty In Pink appeared on The Psychedelic Furs’ 1981 album Talk, Talk, Talk and Writer/Director John Hughes used the tracks inspiration for the 1986 hit teen movie. The band re-recorded the single and it went on to be their first top 20 UK hit single. Another example of the song being greater than the film.
Eminem- ‘Lose Yourself’
Quite possibly his greatest track to date. It was written for the movie 8 Mile and is based on a young man in Detroit trying to make it as a white hip-hop artist and won the rapper an Oscar for best original song. Eminem wrote the track during breaks in between filming and is now on various gym playlists around the world, just after the theme from Rocky.
What will be the next great movie theme? Sadly to date there isn’t any news that the Gorillaz are going to be collaborating with the remaining members of The Monkees to perform the theme tune to the upcoming Planet Of The Apes movie, but we can still hope.
If you are reading this article and are not aware of Trainspotting or its sequel T2, you must be too caught up in a world of jotting down trains into a WHSmith’s notepad, while enjoying a weak orange drink.
Danny Boyles’ 1996 classic has become a historical document for those caught up in all things Brit-pop and 90’s nostalgia, but it wasn’t just the motion picture that made such a splash. The accompanying soundtrack became that year’s ‘must have’ album in the same way that the Pulp Fiction OST had been the year before. For a movie set in the 80’s, the soundtrack features the big players (except Oasis and Suede) of the era; Blur, Pulp, and Leftfield as well as some musical legends like Lou Reed and Iggy Pop. But how does it compare to the follow-up?
ROUND 1: OPENING TRACKS
Iggy Pop- ‘Lust For Life.’
It is impossible to remember a time when the sound of that drum intro and the bassline didn’t evoke the image of ‘Renton’ and ‘Spud’ sprinting through the streets of Edinburgh. The perfect choice of song and a big thank you to David Bowie for making it happen. As a fan of Boyle’s first feature ‘Shallow Grave,’ Bowie recommended his friends Reed and Mr. Pop to strike a deal to have their music used for the film. Without his help, it could have been Kula Shaker’s ‘Hey Dude’ that opened the movie. The sequel ends with a Prodigy remix of the track, that sadly isn’t on the compilation.
Result: Draw – both films used the same song.
ROUND 2: THE TRACK THAT IS LIKE SO NOW!
Leftfield – ‘A Final Hit’
The mid to late 90’s was rich with forwarding thinking electronic artists were aching to break away from ‘rave’ and acid-house. Massive Attack, Tricky and obviously Leftfield would be found in the CD collections for those people who knew where to be on a Saturday night. ‘A Final Hit’ may not have been their best track, but it works on the screen.
Young Fathers – ‘Rain Or Shine’
The former Mercury Prize winners keep gaining acclaim for being one of the great British hip-hop acts. Hailing from Edinburgh and just stinking of cool – no wonder they feature on T2’s soundtrack twice, ‘Get Up’ and ‘Rain Or Shine’ help push the movie’s love of nostalgia into the now.
Result: Young Fathers
ROUND 3: THE BLONDIE TRACK
Was the use of the Blondie cover by a hip Brit-pop group a cynical move to stay in touch with the zeitgeist or just a cheaper option? As Sleeper’s version is so faithful to the original, it seems silly to not just use the Blondie track. It does soundtrack one of the most beloved scenes in the film when ‘Renton’ meets ‘Diane.’
Blondie – ‘Dreaming’
‘Dreaming’ explodes with Clem Burke’s opening drum rolls quickly followed by one of Chris Stein’s legendary guitar riffs and we already have one of the Blondie’s greatest anthems even before Debbie Harry’s sublime vocals take off; this would make any film come alive.
Result: Blondie ‘Dreaming’
ROUND 4: THE UNDISCOVERED GEM
Blur – ‘Sing’
It was a brave move for the makers to have one of Britain’s biggest bands and choose an album track from their least fashionable album ‘Leisure.’ The first time you hear those piano chords, you have to wonder how you had never heard of this track before. ‘Sing’s’ success after the soundtrack gave it a new lease of life and found it’s way back into Blur’s live set as recently as 2012.
Wolf Alice – ‘Silk’
Being included in the soundtrack left the band was over the moon, and ‘Silk’ is T2’s answer to the atmospheric ‘Sing.’ One of the best tracks on their debut album ‘My Love Is Cool’ is given a welcome platform in one of the final scenes of T2.
Result: Blur – ‘Sing’
ROUND 5: THE CLASSIC TRACK
Lou Reed – ‘Perfect Day’
Trainspotting achieved what Duran Duran failed to so the year before, and introduced a brand new audience to one of Lou Reed’s finest songs. The rest is history and with the BBC releasing a star-studded version for charity and karaoke bars across the country will seldom have an evening without it.
The Clash – ‘(White Man) In Hammersmith Palais’
Not many soundtracks can do wrong when including a Clash track, ‘(White Man)’ may not be their most known song and hopefully, it will be discovered by a whole new audience.
Results: Lou Reed – Perfect Day
THE WINNER: TRAINSPOTTING (1996).
It was level heading after five rounds, and both are brilliant compilations, but the original has a perfect mix of contemporary artists as well as relighting the fires to some forgotten classics and doesn’t include Queen’s ‘Radio Ga Ga.’
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