Here is a word from SOA member, Mula
At FFM, we champion and share musicians from around the world and we are proud to present to you, Babemar Dediva and Pare Hare. Please share the love by subscribing and sharing.
Hearty Arts Dynasty presents Pare Hare third single off of the ‘Black Power” EP. Written by: Black Heart Performed by: Black Heart Producer: Chao Otieno Studio: Half Live Production pare hare meaning “parting” is a feel good,feel free vibe song in that you don’t necessarily need to go to a club in order to have fun; you can still part YARD and have a blast.
Victor Kaleka, better known as “Kaleka Keys”, is a keyboard player/pianist, composer, song writer and performing artist born in Kenya and based in Nairobi. His music cuts across the genres of Afro- Jazz, Gospel music and R&B.
His music career started in 2012 after high school when he began working with different bands. He grew fast within the music industry through hard work, motivation and discipline. He has performed in events and festivals in Kenya such as Koroga Festival, Kwetu festival, Cake Festival and many others.
He has worked with some of Kenya’s popular artists like Juliani and LJ Maasai. Currently, he is playing for an artist called Kidum Kibido who is well recognized internationally.
Among the artists who inspire him are; Brian Culbertson, Chick Korea, Cory Henry, Richard Bona, Shawn Martin and George Duke. His vision is to bring African Fused Jazz with a different feel.
Everything he knows is self-taught. He trained himself to play the keyboard by ear, listening to other musicians and practicing with YouTube tutorials.
Kaleka Keys is currently working on his first Album called “Flower Garden”. He has released one Single out ‘Blind Love – Official Music Video’
Gogo Simo is a seven piece band that plays almost every genre of music. They have recorded two albums titled Gogo Simo and Heshimu respectively. They completed their third album ‘UPAWA; which was launched on 2nd September, 2011. Gogo Simo is without a doubt the best band in Kenya.
They perform 5 days a week every week and are largely popular for entertaining at one of the leading TV shows ‘Churchill Live’. They entertain age groups from 25 to 85. The band consists of bass guitar, keyboards, drums, saxophones, percussion and female lead voice. Almost all the band members are vocalists in their own right. Once you’ve heard Gogo Simo, you keep coming back for more.
1. Artist/1stKeyboard/Composer/CEO/Producer/Managing/Music Director: James Gogo
2.Keyboards/Vocals: Mike O W Jozee
3.Drums/Vocals: Mechack Niyo
4.Bass: Moses Karanja
5.Band leader/Saxophone/Vocals: Noah Saha
6.Assistant Band leader/Lead Guitar: David N Omamu
7.BGVs/Lead Vocals:Ruth Muhonja
“Welcome to my hooooome,” SuRie deadpans, before bursting into laughter. We are meeting ahead of the Eurovision final in Lisbon, and the UK’s contestant is perched on a velvet-upholstered chair in the opulent Portuguese embassy in London. She throws herself into the role of tour guide with aplomb. “If you see this tapestry,” she says, gesturing to a floor-to-ceiling artwork of a fleet of ships, “it depicts a voyage from Lisbon to the UK, and now I’m doing the reverse. I think there’s a lovely link.”
Today, SuRie, 29, is wearing roomy black athleisure; her candyfloss-coloured hair is cut into a short crop like Katy Perry’s. In the past her music has skewed slightly alternative, and pre-Eurovision she released a heartfelt piano-led cover of Jeff Buckley’s Lover, You Should’ve Come Over. But her current song, Storm, flips that 180 degrees: it’s a distillation of EDM and 90s dance that feels slightly dated but has the nefarious sticking power of an ad jingle. “Storms don’t last for ever,” SuRie belts out stagily, bringing to mind all those divas who have sung of making it through the rain to welcome a new day.
“It means a lot to me,” she says of her song. “I need a reminder sometimes to keep my chin up and keep perspective. If we come together, concentrating on love and positivity, we can get through it all.”
SuRie’s hope is that her posi-pop earworm will be enough to give the UK its first Eurovision win since Katrina and the Waves’ Love Shine a Light back in 1997. Even the most dedicated fan of the contest would find it hard to deny that the UK has dropped the ball in recent years, with unmemorable entries from Blue, Bonnie Tyler and last year’s balladeer, Lucie Jones. “I don’t know what the problem is,” SuRie says. “But I hope to be a small cog in that wheel of trying to improve the reputation.”
It’s not a secret that musician brains are a little different from “normal” brains. As with any skill or profession, most of it can be learned, but certain things that you need to be a good musician come from nature, not nurture.
Do you show the symptoms of musicianship? Here are 10 established correlations.
That door in your apartment that’s nailed shut? You’ve got to know what’s behind it. That trail through the woods that you see when you’re riding the bus? Sooner or later, you’ll get off a stop early to explore it. What happens when you put a bunch of big ball bearings on piano strings? You’re just the person to find out. Curiosity, exploration, and experimentation are bread and butter for musicians.
Like salespeople, musicians have to hear “no” on a regular basis. No matter how great your act is, it won’t be right for every gig or every venue. No matter how talented you are, you’ll lose opportunities to someone who got there just a little sooner, someone who knows someone, or someone who sounds a little bit more like that club owner’s favorite artist. Although these rejections always sting, they also don’t deter you. You believe in your own voice and will keep working until it’s heard.
If musicians have a hard time accepting external structures, we tend to be eager to impose rules and restrictions of our own making. Musicians know intuitively what the right thing is. We’re likely to have strong opinions about domestic issues like dishwashing, laundry, and home organization.
A musician might have a no-eating rule in his or her car, or insist that all T-shirts have to be hung up rather than folded. This sense of correct practice is what builds the conventions and habits that form an artist’s personal style.
Musicianship takes a lot of teamwork. You collaborate with bandmates, session players, studio staff, live sound techs, and (of course) your audience. You might be the brightest light in the room, but it’s highly unlikely that you’re the biggest diva.
If someone has unreasonable expectations or inflexible demands, it’s not you. Whether this skill is learned through your art, or whether your natural talents led you to become a performer, you’re always more likely to be peacemaker and negotiator than an instigator.
Ever work in the studio all day and hate the result? Ever lose a bandmate right before a series of shows? If you tackle anything passionately, you’ll have lots of little triumphs and little disappointments along the way. But if you’re moping on Monday, you’ll be back in the studio or on the stage on Tuesday. You don’t let a bad mood engulf you and color what you’re trying to do.
What makes a good songwriter? It’s not just wordsmithing – it’s empathy. How many great songs have been written about hardworking people crushed under some harsh system? Songwriters feel for others, so much so that they write songs from others’ points of view. This is why you’ll see so many musicians who have day jobs in caring professions, particularly helping the disabled in schools or job-coaching environments.
That empathy also translates into a love for animals. Tons of musicians have pets and many are animal lovers. Quite a few are animal rights activists. I challenge anyone to think about Sarah McLachlan without visualizing that ad with the sad puppies and hearing “In the Arms of an Angel.”You probably cried, too, even if you’re in a nasty punk band and have a safety pin through your nose.
The real world? Boring. Artistic types like to create new worlds and explore worlds created by others. We like sci-fi and fantasy for this reason, and enjoy shows in which new viewers would be completely lost because they don’t understand the complex backstory.
Of course, since we’re veterans of creating things ourselves, we also tend to deconstruct scripts, calling out predictable lines that actors are about to utter. We like making fun of bad special effects, clunky direction, and bad acting.
Music is a hands-on field, made to order for people who hate lectures and chalkboard notes and want to just jump in and do it. That’s why so many musicians modify their instruments, customize their band vans, and build all sorts of hacks in the studio or rehearsal space. A lot of us are drawn to carpentry, computers, electronics, and mechanics. We’re not afraid to rip things apart and see what makes them tick.
News cycle got you down? We’re all stuck on planet Earth, dealing with violent extremism, climate threats, and atrocious fast food. And we all have two weapons to battle the blues: art and humor.
Musicians are some of the funniest people you’ll meet, especially in groups. Ride to a show with any band that’s been together for a while, and you’ll be spitting out your drink. It’s a kind of amazing, vulgar, politically incorrect banter that screenwriters rarely get right. If we could just record chunks of that, we’d have enough material for a stand-up routine… or the lyrics to our next album.
Jesse Sterling Harrison is an author, recording artist, and part-time farmer. He lives in Massachusetts with his wife, three daughters, and a herd of ducks.
If you’ve seen Easy A, you probably remember the scene where Emma Stone receives a card that plays Natasha Bedingfield’s “Pocketful of Sunshine” and how Stone’s character hates the song – at first. Flash forward to a few days later, and she can’t stop singing it.
There are songs that we can’t stand, yet can’t get out of our heads. There are also songs that we love and feel addicted to. For whatever reason, songs get lodged in our brains – and often stay there for a maddeningly long time.
Labled “earworms” by the scientific community, it’s been suggested that these ditties hang around longer in musicians’ minds than non-musicians’. What makes a song have such a huge impact on our brains? Below, we’ll run through the four main components of creating a catchy song that you can’t get out of your head, even if you want to.
But first, let’s revisit that clip of Emma Stone and “Pocketful of Sunshine” as a prime example of earworm invasion:
My Surreal Music welcomes you in a fusion of classic and electronic sounds. Are you ready to get entranced in a fantasy atmosphere, experiencing darkness, love and desire? Sometimes in life we experience a partial eclipse or a total eclipse of the heart. I hope the eclipse can be also a rebirth for people who are searching and desire to find themselves.
Deena Ade is an alternative artist, who has been described as raw and powerful in her vocal and lyrical delivery. Reminiscent of the Eryka Badu and late Amy Winehouse to name a few.
Melo Produced THABEATSMITH is the official single from her debut project ‘The Cries Of My Subconscious’
She explores a world of an Alpha female, who’s one desire is to capture the attention and love of another. Miss SLUTWALK herself proves once again to go against the grain in this song. Entwining her sultry vocals with her words of seduction.
Born Medina Agboluaje, the first of four children, music has been a substantial goal of Medina since the age of eight. As a child Medina performed around London for a local charity, which eventually led to performing for the late Papa Madiba in this state visit to London. Over twelve years later Medina can be found performing weekly in London’s hottest underground spots.
Having found much comfort in the training received by mentors such Beats by Sarz and other industry power players, Deena is now ready to face the music industry with the intensity she believes it is lacking. Using a name to define her sound and style can be quite daunting, but under the fabric of her stage performances lies a blueprint of influences. For example Amy Winehouse, Asa, Beyonce, Wizkid, Fela Kuti.
Deena Ade is currently releasing a song a month for a year which will be followed up by an LP project, set to be released in November titled “THE FEMINIST”. As her talents and fan base continues to grow, she emphasises on people not to over look as her, as she is the future of the African Music Industry. As she says ” It doesn’t matter what people say, as long as they like my music’.