“Indian classical music is a genre of South Asian music.It has two major traditions: the North Indian classical music tradition is called Hindustani, while the South Indian expression is called Carnatic.”
Indian classical music has two foundational elements, raga and tala. The raga forms the fabric of a melodic structure, while the tala measures the time cycle.
Indian classical music is a genre of South Asian music.It has two major traditions: the North Indian classical music tradition is called Hindustani, while the South Indian expression is called Carnatic.
The raga gives an artist a palette to build the melody from sounds, while the tala provides them with a creative framework for rhythmic improvisation using time.
There is no concept of harmony in Indian classical music.
Here Debdeep Misra performs raga YAMAN……WHICH IS INDIAN CLASSICAL RAGA. Yaman emerged from the parent musical style of Kalyan Vilambit bandish ” kahe sakhi kayse ke ka kariye”
In December 2013, my dance music producer friend Andrew was riding the New York City subway when a homeless teenage guy stepped into his train car and started singing R&B. The soulful Christmas mashup so moved Andrew that at the next stop, he followed the singer off the train and offered to record him a demo for free. The kid bit, and the two became fast friends.
I thought this was one of the cooler things I’d ever heard, so I asked if I could buy them coffee and hear more about it. In our interview, Andrew and Julian discuss their chance meeting, unlikely similarities, and musical futures.
Julian Brannon (the teenage guy): Well, my goal is to be the best, so let’s just get that out there. There’s no one in the industry that looks like me or sounds like me right now, and I think they need me.
Andrew Toews (the producer): You are unflappable!
Me: Wow, quite an intro! Could we back up for a sec? How did you guys meet?
AT: Sure. It was just before Christmas last year. I was on the train, and Julian got on and introduced himself and started singing sort of a holiday medley, in an R&B, soul style. I think it was: “We Wish You a Merry Christmas,” “Winter Wonderland,” and…
JB: And “All I Want for Christmas is You” by Mariah Carey.
AT: You can tell when someone has something to pitch you on the train and you’re like, “Dude. Seriously. Don’t.” But I liked this guy, I liked his energy. There was this spark. I actually thought, “I want to hang out with this guy!” He was making my day a better day.
JB: You know, I relate to that. I know I’m there making money, practicing, getting over stage fright. But at the end of the day, I want to make people feel better. I want them to call their mother after I sing Boyz II Men “A Song for Mama.” I know I can do that for people.
AT: So I thought about it for a second and chased him off the train. I thought he might think I was a sexual predator, or otherwise a weirdo; there was definitely fear of rejection in the air. But this was a case where my talents were uniquely suited to you — you’re not a guy with a trap kit who I liked listening to but wouldn’t know what do with in the studio. You’re a singer. So I gave him my email address. I didn’t think he’d bite.
JB: Well, most people don’t respond to me! Guess it goes both ways. I thought, “I don’t know what kind of experience this guy has, but it’s practice.”
AT: It was practice for me, too. Better than spending the afternoon drinking beers, if you ask me.
JB: It was my very first time being in a studio. By the way, your studio was small! I was thinking, “This is not Cadillac Records!” But hey, this is where I’m at. I just knew I should sing into the mic. Andrew told me to just try some a cappella covers, so I did some Mario, some Adele, Guy Sebastian, and The Fray. I put it all on the Internet and it’s gotten me a couple gigs. It’s made me money! It’s badass.
AT: I didn’t want to overcommit to a bunch of studio work; didn’t want to have to tune things later. We’re selling his voice, after all, so we just went for it straight up. We kept the imperfections.
JB: I wanted to keep the personality in it as well. I put some new runs in the songs, which were great, I thought.
AT: I liked when I asked you who you listen to and the first person you said was Adele. She’s one of the only people on the radio now who doesn’t have Auto-Tune on her voice.
JB: Yeah, her and Beyonce: who won seven Grammys and who won six? Know what I’m saying? At the end of the day, raw talent will always win out over good looks.
Me: Can you rewind a bit, Julian, and tell me your backstory?
JB: Sure. I’m from Houston. I used to weigh 300 pounds. I came to New York to sing. I’m a good singer and I can easily act, but I didn’t want to do Broadway. I wanted to be a real artist, go solo. My friends would do talent shows, and I’d say, “Okay, that’s cool — you do you, but I’ma do me.” Don’t get me wrong — musical theater moves people, too. But every note is perfect; there’s no life, no meat. That’s why I like R&B, soul… That music knows how to make people feel things.
I also wanted to get a better education, be with like-minded people, live at a fast pace, not have a car… And when I came here, I sure got all of that! But I also experienced what I would call… a graceful fall.
Long story short, I enrolled in Pace University in 2012, and the classes were easy enough — except algebra; I’ve never been a math whiz — and I was able to network a lot there. But I had to leave prematurely when I couldn’t get enough loans. I even dressed up in a suit one day and canvassed Wall Street to ask people for loans — nothing!
So I needed something, and I got this crazy pyramid scheme direct marketing job right away. I became the number one sales rep in no time. I was on fire, I had no choice. I have many talents besides singing — I’m good at sales, drawing, art. If I tapped into any art, I could master it, but music is what I care about.
Am I talking too fast? No? Okay.
So when I got kicked out of the dorm, I got into a cab and went to a hostel. I told FEMA my house got blown away in a storm so they’d pay me! Then I moved into an apartment in Harlem, where I was suddenly partying with adults, people age 25 to 45, and some of them were very wealthy. Then my company wanted me to open their new office in Texas, so I moved back there to do that. But there was some shadiness, some managerial shadiness, and suddenly my paychecks were much smaller.
So I moved back to New York again to get away from all that, but I was super broke. I stayed with friends for a few months, but wound up in a shelter. It’s a shelter right in the middle of NYC, though! And it keeps me not feeling homeless. It’s not an apartment; it’s a shared room and bathroom. And I’m choosy about who I associate with there — it is a shelter, mind you. If I get signed or put into a financial place where I can afford it, sure, I’ll move out. But other than that, it’s fine; it works.
Anyway, I found I could make more money singing on the train than working at Bill’s Burger. $50 an hour! Your minimum wage for a day is what I can make in an hour! So I was doing that a lot toward the end of last year, and I got a lot of attention from people on the train — producers, etc. I was auditioning for showcases and all that. I’m actually going to an audition right after this, and I’m doing Amateur Night At the Apollo this coming week.
I surround myself with people who are going to help me get where I need to get. It’s all about progressing. We know it will take hard work to live a privileged life, and we can be an inspiration to each other.
But here’s the thing: when you hit rock bottom — when no one’s answering your calls, when no one will let you sleep on their couch — you realize what you still have to offer. When I was singing on the train, I was thinking, “This is all I have.” But that was a good thing. That’s when I realized that’s what I really have to give in this life.
Plus, when I get rejected, it’s a positive thing, because when I get big, that’s one more person who’s going to be like, “Damn! I missed that one.”
Me: Does your family worry about you?
JB: Family? My mother, yes, it stresses her out. She’s stressed out to the max.
AT: I can imagine!
JB: But I tell her that I’m a survivor, and that I survive with dignity. It’s a struggle. But I try to do it with dignity — ask don’t steal.
AT: Reminds me of conversations I had with my mom when I was around your age — 18 or 20. I moved to L.A. with no plan. I got kicked out of a warehouse squat; was sleeping on roofs… My mom was living overseas and I called her and said, “Okay, I’m sleeping on rooftops, but I have a job, I have a car. Sure, I’m spending a lot of time in McDonald’s bathrooms scrubbing my armpits, but I’m not a scumbag and I’m not on drugs. I could do something different, but this is what I’m doing right now. I’m keeping it together.”
JB: One time my mom got a call from the police because someone found my wallet. She thought I had been killed, murdered, stabbed… But I was just at work. At the end of the day, my mother is my best friend, she supports me.
I’ve never been in love, or anything like that. I’ve been alone all my life. Not that I haven’t been close to people or they haven’t showed me love, but not intimately.
Me: Wow. Drew, would you record another singer like this?
AT: Yeah. Not right now because I’m super busy and I don’t have a studio outside my house anymore, but in theory sure. Then, if I had the time and the opportunity showed itself.
I tend to be a fearful guy. I always make myself do stuff, but it never comes easy. So this was good practice presenting to people. You don’t have to be the best in the world. I don’t want to say, “If I’m not going to be Beyonce, I’ll just quit.” That’s not the attitude I want to have.
JB: You learn certain things in life. I believe in the law of averages. No matter what you try to do, it will happen — it’s just a matter of time. If you shop yourself to 1,000 people, one of them will like you. Life is a numbers game. I’m just waiting for the date. I’m trying to set up a foundation to build upon. I want to go a record label and say, “This is what I got; what can you do for me?”
AT: It’s a big world, and it does take a certain brashness. Fear of failure is rampant, so to see someone who’s willing to rock a crowd is really good. I became a producer in part because I can be a part of that balls-out performance experience while still having a measure of control.
JB: I want to open up my own studio one day. Then I want to be a pastor in my later years. I can relate to a lot of people, I can elevate them.
AT: You grew up singing in church, right?
JB: A little bit. But my mother didn’t take me to church that much.
[I zoned out for a minute here and stopped taking notes.]
JB: Yeah, drinking. The struggle is so real; we all have to cope. But I try not to drink too much. I mean, I smoke weed. But at the end of the day, I do what I do because it’s artistically helpful.
AT: Oh man — you burn? We could have burned!
JB: We could have burned?? If we could have burned, we would have been burnin’!
AT: We need to do a follow-up session.
I asked Andrew and Julian what they’ve been doing since our interview last winter. Here’s what they said:
Andrew: “Drew has been keeping the disco fires burning at his new home studio in Bed-Stuy. He stays DJing dance parties, producing original material for a handful of artists, cranking out edits and remixes, and building a small sound design and production business. He’s also offering private music production lessons, with an emphasis on Ableton Live techniques and workflow.” Get at him via fakemoneynyc.com or drewjoy.com.
Julian: “I’ve been working in music. Planning to work with a close friend to produce our first project for my EP. Also starting a wedding singing group to support the financial aspect of producing an EP and a potential album come this time next year. I’m still living in Hell’s Kitchen saving up to move. I am currently working as a barista at FIKA in Chelsea. Great filler job while I focus on my real dream.”
I wrote the song ‘Let Love Abound’ thinking about the mental illness and substance abuse that my family has suffered from for a very long time and the beautiful people I work with. In this song I am talking about stigmas that run very deep in America.
The stigmatization of those that suffer with substance abuse, the stigmatization of those that suffer with mental illness, and the stigmatization of those assumed to be prejudiced .
Our band was based in Virginia Beach for awhile. I ran into Bluegrass players that were very open and not the judgmental or prejudiced people that many assume. I pray that we stop stigmatizing those with mental illness, substance abuse, and open our minds to people as they are as opposed to who we think they are. I pray that we, ‘Let Love Abound’…..
When a songwriter produces song after song after song of this quality, promoters such as myself, sit up and listen. David Powell is one of those musicians. I make no apology for sharing my new found star from West Virginia, USA.
Whether it’s fashion, music or art, the most beautiful things are made in Italy. Martina Difonte is no exception with her rich, powerful vocals, poise and graceful movement, Martina is simply a star of Rome.
One of the most beautiful films ever made, in my humble opinion, is Giuseppe Tornature’s Cinema Paradiso. Martina’s cover of the Ennio Morricone theme from the movie is a perfect tribute to this timeless classic.
Many people possess a talent, great singing voice or a natural ability in music but are never heard. Occasionally, a few of these unsung heroes will surface after many years of quietly honing their skills and become an ‘overnight success’.
One such musician is Blues guitarist and singer David Powell. David’s voice sits somewhere between Joe Cocker and John Lee Hooker with his authentic and powerful guitar playing completing the package.
David is building a catalogue of his own songs including the moving ‘Jesus is Crying’, ‘Desecrated‘ and ‘At The Bottom‘ with this music fan’s favourite being ‘Crawling into Yesterday‘. This song caught my ear as it demonstrates David’s classical guitar technique fused with the blues feel and powerful vocals.
This amount of talent in one place cannot go unnoticed for long and as David Powell is experienced by more and more lovers of the genre, I am sure we will soon be able to enjoy David’s first commercial release. I for one would be more than happy to release a Powell debut album at FFM Records, but I imagine we will be beaten to the post by the big boys in the industry.
The talent for writing and crafting a song aren’t always innate, but with Lisa Ballew it was something that was instinctive. Raised on the west coast of California, she connected with a deep-rooted musical family tree and began writing her own music at the early age of 13.
At 20 she ventured to Nashville to grow her musical prowess and feed and perform in a creative community. She eventually returned to the West Coast to be near family and continued to develop her art. She has crafted hundreds of songs that are ready for an audience.
“I think there was a period where my songs were cathartic and more for me…an outlet to express how I felt and saw life during both beautiful and difficult times. I finally had a realization that I had been stowing away my songs, my gifts and talents. I felt a strong sense that it was time for me to put it all out there. I needed to move forward in my musical journey and share my songs.”
That journey lead to the creation and release of “Ready For The Ride.” It showcases a pop sensibility and Lisa’s ability and passion to create songs that are relevant and commercial. This is just a glimpse of a deep catalog of songs waiting to be heard. The ride is just beginning……
Interview: Shinedown frontman, Brent Smith discusses the band’s forthcoming, and incredibly emotional record, ‘ATTENTION ATTENTION’
Pick it up, pick it up, pick up the phone!…
45 seconds into Shinedown’s forthcoming record, ATTENTION ATTENTION, the band wholeheartedly sticks to the moniker. They reach out with welcomed force and completely grab your attention. “Pick up the phone,” frontman Brent Smith belts out like a man on mission. But who is on the other side to pick it up? Who are you speaking to while singing along? Who is Smith calling out to? Perhaps that’s just the point. The person is you. Answer your own call.
Prior to ripping into the captivating lyric out of the gate there is a sound (gesture) that sets the tone for the journey. “THE ENTRANCE” closes with a person taking a deep breath. Ready or not, let’s do this.
Welcome to ATTENTION ATTENTION. The sixth studio record from acclaimed rockers Shinedown, to be officially released on May 4th. The 14-track album, Shinedown’s most raw and personal to date, is a mental, emotional and physical sole-searcher that follows an individual from life’s lowest lows to the highest highs as anxieties dissipate and demons disappear.
For Smith, this artistic record is as authentic as it gets. He digs deep into every corner while delivering honest lyrics filled with cold, cruel, harsh realities. You find yourself immediately trusting Smith without question. The alliance is appreciated and reciprocated, ultimately sending you on your way with a slap on the back — encouraging you that it’s now your day to be brilliant.
In between the deep breath and rolling credits, you are placed right in front of a mirror. Steam clouds the glass, and as it begins to fade, words and sometimes full sentences appear before you.
“Wake Up! Pull yourself together. Speak up! cuz no one heard your name.” “The voices inside my head are legendary.” “EVOLVE.” “special.” “MONSTERS.” “We march.”
Written exactly as you see above, it’s like a kid with enthralling eyes, etching their name into the aforementioned steam filled mirror, knowing the words will repeatedly appear in the same place — until you wash them away.
I recently had the chance to speak with Smith, the band’s courageous singer, literally from the side of a road en route to South Dakota. The band was a day away from kicking off their 72 date, six-month tour in Deadwood, SD. The reception through the valleys was not great so Smith had the bus pulled over so he could speak to me without static. That small gesture, to me, was symbolic to the entire craft-work of ATTENTION ATTENTION and its creators. Thoughtful. Sincere. Precise — a leadership through music delivered eloquently by the platform and power that is Smith’s voice.
The call was answered with grace. Over the next 25 minutes, Smith took me inside the ride. We picked up every stone — even those placed on the dark-side, and then gently put them down. As Smith closed the door behind us in conclusion, we were sent on our way with … “until next time.”
You’re embarking on an extensive tour, the new Shinedown record will be released in May, and the lead single “DEVIL” is officially out now, how are you feeling?
Everybody in the band, including myself, we are all feeling really strong. We are also feeling super humble in regards to ATTENTION ATTENTION being released on May 4th, and of course with the song “DEVIL” being out now along with the video. There’s a lot of touring already lined up. We are technically already booked through November. Everybody is just ready to begin. The record is a huge part of what we really wanted to convey and what we wanted to express to the world. We were able to do that and now its time perform it for everybody.
For you personally, is there a transition that takes places coming out of touring acoustically with Smith and Myers? What is it like going from performing and singing over an acoustic to now kicking it into high gear with the band?
It’s interesting, me and Zach did that run in December of last year. I wasn’t expecting to tour in December. Zach had asked back in October if I wanted to do it and I said, “Sure, why not.” The interesting thing when it comes to the roll-out of ATTENTION ATTENTION and all the work that went into creating it, was that it was the first record we did in house. Eric Bass sat in the captain’s chair and he produced and mixed the record. We were also touring while we were making the record.
We did 44 days with Iron Maiden in April of last year, we toured in July and did a few festivals before me and Zach went out. During all of that we were going back to the studio to put the finishing touches on the new music. It gave us a lot of perspective. We paced ourselves really well. We put much of the touring together ahead of time so that we knew what we were capable of. When you’re touring for 20 years, you know what your limits are.
Everybody’s in good health, everybody’s ready to go, and everybody’s got a strong will going into this album. As performers, we are making sure everyone is taking care of because it’s a really important record.
There are some very strong visuals and accents with ATTENTION ATTENTION. For example, everything is capitalized except for the song “special”. What is the artistic process and intent behind that?
Everything was built around impact. We had a laser focus. We didn’t have any questions going into making this album, we knew exactly what we wanted to do. That helped a lot from a direction standpoint. From an artistic standpoint, we didn’t want to clutter it up, especially visually. The album cover is an exclamation point, but it’s very specific. It came from us. We wanted to find a way to emphasize getting people’s attention — combining the visuals and sounds. The best way to do that is by a symbol and what better symbol than an exclamation point — basically telling the listener, less is more here. There’s something very important inside of this. I really feel like it’s a record the world needs right now. It’s a necessary album that was written from a very real place.
I completely agree. I find it very inspiring how much music has a true purpose behind it right now, especially in rock. I’m a big lyrics person and I was very moved immediately upon listening to “DEVIL”. There’s this buildup and then boom you come out swinging — the first words you hear on the record are, “Pick it up, pick it up, pick up the phone.”
We always knew “DEVIL” was going to be the first song because it’s the beginning of a story. In the “DEVIL” video, you can see how the beginning of the album should be looked at in regard to the journey. The story had to start off in a very intense place. This person is making a decision to confront these subject matters. They are saying, “I need to face my fears, it’s going to be terrifying, but if I’m going to move forward in my life, I am going to have to do this.” That’s why the whole record takes place inside a room. There’s a lot of symbolism in the fact that the person is in a chair during much of this.
It’s bookended too. The last says, “The devil’s in the next room” but the last chorus “The devil is right beside you.” It goes into the next song. Then the final song on the record, which is “Brilliant”, the last thing you hear is “It’s my day to be brilliant.” As that song ends, you hear the individual get out of the chair, walk back outside, and say “Until next time.” The journey never ends. You just move on.
Funny you should say that, I often look very closely at the first line in a record and the last line when listening to a new album full of meaningful music. What I really appreciate with ATTENTION ATTENTION, is that there is no shying away from what you have to go through in between the first and last line of the journey. There’s a lot of focus on facing your fears and it’s going to be tough. For example, in the title track you have this line, “The voices in my head are legendary”. It’s subtle, but hits so hard. How important was it for you to focus on this concept of — the only way out is through?
It’s the idea that you have to fall into a hole in order to get out of it. The record is about facing different fears, but also about accepting that you are terrified of those fears. The world can be a very tricky place. It can be scary and at the same time beautiful. The journey for this person is them trying to find their humanity again. They are trying to remember what it was like to be a human being and discovering that it’s not always about them. There’s a great good in the world. Sometimes we get lost in technology and inside of ourselves and we get selfish. There’s nothing wrong with that. We live in a world that is technologically advanced. Any questions people have, you can go to the internet. People always say the internet is undefeated. That’s an interesting way to embark on the world. If you truly believe that, a bit of your sole has been lost. There’s so much information. So many people have a platform and they have opinions, but that also generates a lot of negativity and something I call false positivity. You see all these hashtags of “blessed life” and you think — do you feel like that or are you doing that because everyone else is hash-tagging that?
You can’t lose sight of yourself, what you believe in and what you want in your own life. You’ll be the first person you see in the morning when you look in the mirror. If you can’t make that person happy then you won’t make anyone else happy. But you can’t forget that you are human. You are going to make mistakes. This record is about not being afraid to fail. People too often, put themselves in a corner and paralyze themselves mentally and physically. They want to achieve certain things, but they think because they’ve never done it before, they are not going to win. You are probably right, you’re not going to win every time. That’s the beauty of being alive.
That’s a very important point. How much did you tap into your own personal experiences when writing the lyrics?
The whole record is about everyone in the band. Specifically, to me, I feel I’m everywhere in there, but so is the rest of Shinedown. There’s a song called “Monsters”. When I make that statement about “My monsters are real, and they’re trained how to kill”, that’s about as blunt and bold as I can be about those voices that I did say were legendary, but can also be my demise if I let them. Personally, it has a lot to do with substance abuse. I will forever be an addict. I’m clean now, but the fact is — I have to take it day-by-day. Those pathways are already paved in my brain. I know exactly what’s on those roads. For me to think I can go into a bar today and just have one drink, that would be great, but that’s not reality. If I were to go into a bar and have one drink I would end up drinking every single one in the building and probably wind up in jail. I know the parts of me that I must respect. It doesn’t mean I have to like it, but I do have to respect it. It’s something I can’t think about in the future, I literally have to take one day at a time. I haven’t gone to rehab, I don’t do self-help, nor am I a part of a 12-step program, I only know how to do it this way. I’m also very lucky because the other three guys I’m in a band with are my brothers and they’ve never judged me. They’ve just been there to pick me up when I fell.
What was the Shinedown process in writing and recording these songs? Was there anything brand new that you tried?
One thing that was new was that we didn’t talk about any outside producers. We are really fortunate to have had to some great engineers that we’ve worked with over the years, male and female, but there was no question that Eric Bass was going to produce the record. He’s our bass player, but he’s way more than that. He mixed it as well. It was all four of us writing, but having someone at the forefront that we are with all the time, from both a creative and technical side, was incredible. He put himself through it. He made this record with all his heart. That was a big part of why it doesn’t sound like any other Shinedown record.
In terms of the songwriting, everything was fair game. Anyone who had an idea, we’d be open to them. We navigated it all together.
Well, it’s heartfelt process, resulting in a heartfelt record.
Coming full circle here, in a close-your-eyes moment and all things considered, what does ATTENTION ATTENTION mean to you?
It means don’t lose site of yourself. Don’t be afraid to fail. You will not be defined by your failures, you’ll be defined by the fact that you did not give up. There was an interview that I read early on in the writing of this album, that was one of the last interviews that Miles Davis did before he passed away. Miles said, “The music is already inside of you. It’s always been there. You’re a vessel.” The next thing he said was the most powerful,“If you’re going to tell a story then till it with an attitude.” That’s exactly what ATTENTION ATTENTION is. It’s an attitude.
WATCH: the video for “THE HUMAN RADIO” — a brand new track off ATTENTION ATTENTION
Official “DEVIL” video:
SHINEDOWN TOUR DATES 2018:
April 9 Modesto, CA @ Modesto Centre Plaza
April 10 Chico, CA @ Senator Theatre
April 12 Riverside, CA @ Riverside Municipal Auditorium
April 13 Scottsdale, AZ @ Arizona Bike Week Live at the Rock Yard
April 14 El Paso, TX @ Speaking Rock
April 16 San Antonio, TX @ Tobin Center for the Performing Arts
April 17 Corpus Christi, TX @ Concrete Street Pavilion
April 18 Baton Rouge, LA @ Raising Cane’s River Center
April 20 Tampa, FL @ 98RockFest Live at Amalie Arena
April 21 Orlando, FL @ WJRR Earthday Birthday Live at Central Florida Fairgrounds
April 28 Sunrise, FL @ Monster Energy Fort Rock Fest Live at Markham Park
May 4 Concord, NC @ Carolina Rebellion Live @ Rock City Campgrounds
May 6 Nashville, TN @ Bridgestone Arena
May 8 Lexington, KY @ Rupp Arena
May 10 Tulsa, OK @ Bok Center
May 11 Council Bluffs, IA @ Westfair Amphitheatre
May 12 Maryland Heights, MO @ Pointfest
May 14 Salem, VA @ Salem Civic Center
May 16 Birmingham, AL @ Legacy Arena at BJCC
May 17 Evansville, IN @ Live at the Ford Center
May 18 Moline, IL @ Tax Slayer Center
May 20 Grand Forks, ND @ Alerus Center
June 2 Nürberg, Germany @ Rock am Ring
June 3 Nuremberg, Germany @ Rock im Park
June 8 Interlaken, Switzerland @ Greenfield Festival
June 10 Donington Park, England @ Download Festival
June 14 Nickelsdorf, Austria @ Nova Rock
June 16 Firenze, Italy @ Firenze Rocks
June 22 Dessel, Belgium @ Graspop
June 24 Clisson, France @ Hellfest
June 30 Madrid, Spain @ Download Festival
July 14 Oshkosh, WI @ Rock USA
July 22 Clarkston, MI @ DTE Energy Music Theatre
July 24 Darien Center, NY @ Darien Lake Amphitheater
July 25 Mount Pleasant, MI @ Soaring Eagle Casino
July 27 Tinley Park, IL @ Hollywood Casino Amphitheatre
July 28 Noblesville, IN @ Ruoff Home Mortgage Music Center
July 29 Des Moines, IA @ KAZR Bday Show
July 31 Denver, CO @ Pepsi Center
August 2 Salt Lake City, UT @ USANA Amphitheatre
August 3 Las Vegas, NV @ Downtown Las Vegas Events Center
August 4 Irvine, CA @ FivePoint Amphitheatre
August 6 Albuquerque, NM @ Isleta Amphitheater
August 8 Bonner Springs, KS @ Providence Medical Center Amphitheater
August 11 Houston, TX @ The Cynthia Woods Mitchell Pavilion
August 12 Dallas, TX @ Starplex Pavillion
August 14 North Little Rock, AR @ Verizon Arena
August 15 Biloxi, MS @ Coast Coliseum
August 16 Atlanta, GA @ Cellairis Amphitheatre at Lakewood
August 18 Virginia Beach, VA @ Veterans United Home Loans Amphitheater
August 19 Bristow, VA @ Jiffy Lube Live
August 21 Saratoga Springs, NY @ Saratoga Performing Arts Center
August 22 Gilford, NH @ Bank of New Hampshire Pavilion
August 24 Hartford, CT @ XFINITY Theatre
August 25 Boston, MA @ Xfinity Center
August 26 Camden, NJ @ BB&T Pavilion
August 28 Burgettstown, PA @ KeyBank Pavilion
August 29 Syracuse, NY @ Lakeview Amphitheater
August 31 Scranton, PA @ The Pavilion at Montage Mountain
September 1 Holmdel, NJ @ PNC Bank Arts Center
September 2 Wantagh, NY @ Northwell Health at Jones Beach Theater
For tickets and more information including dates with Godsmack visit Shinedown.com
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For the past 13 years, Luca Brassy, born and raised in Upstate NY, has been building a reputation in the Tri-State area as one of the hottest emcees in the region. His journey really started in entertainment through professional wrestling at age 13. By the time he turned 16, Luca was running his own professional wrestling training center (24/7 Wrestling Productions LLC) in Upstate NY.
Due to things out of his own control, 24/7 closed its doors in the summer of 2003. From there, Brassy had a hard time finding himself again until he discovered his love for writing and music in 2004. In October 2004, he met Jgreen Moneytalkz who has been producing his music ever since.
Luca Brassy has performed at numerous cities and states including Schenectady, Albany, Glens Falls, Syracuse, Amsterdam, Rochester, Pittsfield, Pittsburgh, Massachusetts, Buffalo, Newport Rhode Island, Brooklyn, Bronx NY, Manhattan, Staten Island, Ardmore PA, Uniontown Alabama, Birmingham, Atlanta GA, Marshall NC, and Memphis TN among others and has been building a name for himself based on his politically and socially oriented music.
Among other great accolades, he has opened for several well known emcees such as Rakim and Lil Kim. Brassy is now moving in a new direction with his music and putting his old school lyrical mentality to use with his club vibe which has brought him a whole new fan base as well as a different kind of recognition.
Brassy’s first mixtape was released in 2006 titled “The Project: Stereotyped”, and his first full length album “The Narration: The Heart of a Champion” in 2010. A remake of that album was released Through Tate Music Group in 2014 titled simply “The Heart of a Champion.” Luca was recently signed to Sony RED where he released 2 singles “Like That” and “3000” (produced by Younglord).
With this, he continues to be active around his own community as well as others. He continues to grind and make new contacts in radio, magazine, film, blogs, etc. He most recently was signed to CNY Mode modeling agency based in Syracuse NY! In music, his newest single “Lose Your Mind” was recorded in Los Angeles with the music video being shot in ATL. Brassy stays on the grind and is always active in his music and all business endeavors. Stay tuned for the latest on Luca Brassy! POW!!!
Measuring just 12 miles by 5 and situated just off the coast of France, Jersey CI is absolutely bursting at the seams with musical talent. Sara Strudwick is one of the island’s most precious jewels. A singer songwriter and awesome performer, Sara, now based here in London is set to take the music scene by storm. You can see Sara performing live at the Spice of Life, Soho on 19th May.
Sara started singing at the age of 13, growing up as an artist on the island of Jersey.
She became a teacher at her music school at the age of 16, while gaining experience in live performance and in the studio. Sara began her youtube channel in 2014 using her work in Dream Box Studios with the help of the producer Jack Helm. In 2014 her live performance of her first ever original brought her to the attention of UK talent scouts.
During her time in Jersey Sara had the opportunity to support some major artists such as James Arthur, Jess Glynne, The Vamps, Tom Jones and more.
Sara moved to London at the age of 17 to study music at university, and began working with producer Tim Arnold, opening for Blake Morgan where she was introduced as The Reservations ‘Emerging artist of 2017’ in London’s Soho. Sara has since gone on to play festivals such as Burtonfest, Burton on Trent and Septemberfest at Donnington Park.
Sara most recently took to the stage at the Half Moon Putney in October of 2017 with a completely new line up before stepping down from performing to begin writing an EP.
New York’s Blake Morgan – “Sara is already an artist who is truly original”
Managing director of VMGSounds, Adam Corns – “Go give Sara Strudwick a follow. I was really impressed with her whole set at #BurtonFest2017 in particular Sara’s flawless vocals. Awesome band and backing vocalists to. Certainly one to watch out for.”
Songwriters news UK – 23rd October 2017
“Sara Strudwick – Sara is gaining all kinds of accolades as her career progresses , she’s got the looks the talent and the support as she hits the stage with a full band and a massive vocal and two backing singers – check out Sara’s timeline and media – She’s played Donnington – A seriously BIG DEAL for a rising star !! and even tho she hinted on-stage that she was new to songwriting – we would argue differently – her material is strong , intense, upbeat and is gonna work well in any festival / live band / party venue with some AWESOME Guitar Rifts to seal the deal !!
Forgive Me It’s Not You – this is an awesome song – her material is strong and engagingly listenable and – along with the band , had the audience hooked!”