Yago is a Rapper from Badajoz, Spain. Please spread the love by sharing and subscribing to Yago’s Youtube channel.
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Blow_Flyy who Performs out of Toronto Canada, but from Halifax/Dartmouth Nova Scotia, is a new age artist with a new thought process, he does it his way, for the Fans, that is with out rhyming, instead telling stories.
When it comes to the industry. He, like most artists who are true to the game and themselves, wants to pursue his career solely as an independent artist. While many artists are looking to be signed, he remains loyal to his identity and genre.
As an artist who has clean content, he has potential to gain a lot of respect within the wide spectrum of the industry. Respect with parental units and less vulgar entities will bring new money in a present yet undisturbed revenue stream.
Blow_Flyy is destined to make a dent in the industry starting in Canada, to the U.S., and then world-wide, definitely keep your eyes on this artist….
Today, the Illuminati theory is as relevant as ever, often used as a way to justify the continued success of artists—Jay Z, Beyoncé, Eminem, Lady Gaga, Kanye West—who are accused of being puppets of this mysterious web of faceless figureheads. There’s an endless stream of books, podcasts, and blogs examining the Illuminati’s use of media and entertainment to carry out its agenda, and there are innumerable YouTube videos about the Illuminati with millions of views. The Illuminati is always somehow part of the conversation when a celebrity like Whitney Houston or, more recently, Prince passes away prematurely. Its signifiers—triangles, covered eyes, devil’s horns—are consistently evoked in music videos and press photos.
What’s so perplexing about the Illuminati theory and its continued life is that it’s just that: a theory. Despite the term’s prominence in hip-hop and pop culture, there is no proof that the Illuminati still exists, and not a single artist has admitted to being affiliated with it. Then why, for more than two decades, has the existence of an unconfirmed secret society been consistently connected to the music industry? Why do the rumors refuse to go away?
Secret societies have existed for centuries, and at one point, the Illuminati was real. In 1776, a German professor named Adam Weishaupt founded the Bavarian Illuminati, also known as the Order of the Illuminati, as a response to the Roman Catholic Church’s power over philosophical and scientific thought. Weishaupt aimed to recruit from within the Freemasons—a secret society that still openly exists today—to disseminate ideas of the Enlightenment. Over the course of the next decade or so he accrued an estimated 2,500 members, according to Michael Barkin’s A Culture of Conspiracy.
Though the Bavarian Illuminati disbanded by 1787 and seemingly remained inactive in the centuries that followed, rumors of its existence continued into the 20th century. They surged when President George H.W. Bush, in a 1991 speech marking the end of the Cold War, mentioned forming a “New World Order.” Some interpreted the speech as a sign that the Illuminati had been reconstituted, or had never left.
It makes sense that hip-hop would gravitate toward such a conspiracy theory. The black community has plenty of reasons to be distrustful of the government; many so-called conspiracies have, in time, turned out to be true. For example, in 1932, the U.S. Public Health Service conducted the Tuskegee Study of Untreated Syphilis in the Negro Male, which involved 399 black men with syphilis. The “study” lasted 40 years before a special panel intervened — the afflicted men were never informed that they had syphilis and were never given penicillin. A $10 million out-of-court settlement followed in 1974. In another infamous incident, the Church Committee, a U.S. senate commission, confirmed that the FBI’s COINTELPRO initiative carried out illegal operations to interfere with, spy on and systematically disrupt the Black Panthers and many Civil Rights organizations.
Rob Brotherton, an adjunct assistant professor at Barnard College and author of Suspicious Minds: Why We Believe in Conspiracy Theories, explains that these real-life government conspiracies targeting black people planted the seeds for Illuminati theory’s popularity today. “Hip-hop served as this [soapbox] for people to talk about issues that were relevant to them, things like discrimination, poverty, the criminal justice system, which are often seemingly slanted against African-Americans,” says Brotherton, who chooses to be “professionally agnostic” about his belief in the Illuminati. “It’s a short leap to go from noticing some kind of injustice to thinking about whether there’s something behind it. Hip-hop was just a good candidate to revive this myth.”
“IT’S A SHORT LEAP TO GO FROM NOTICING SOME KIND OF INJUSTICE TO THINKING ABOUT WHETHER THERE’S SOMETHING BEHIND IT.” —ROB BROTHERTON
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Identifying Illuminati symbols is the nuts and bolts of conspiracy theorists. They claim that puppets of the Illuminati tend to evoke a handful of recurring poses and images, such as the Eye of Horus, the Egyptian symbol for the all-seeing eye (featured in Katy Perry’s video for “Dark Horse,” set in ancient Egypt). Another go-to is the pyramid: In gematria, an Assyro-Babylonian-Greek code tied to Judaism, its three sides represent the spirit realm (Jay Z throwing up his signature Roc sign, a diamond made with your hands, is one of theorists’ favorites). Then there’s the number of the beast, which refers to 666, represented by making an “OK” symbol with your hand (Beyoncé does this reference to her hometown of Houston). And don’t forget devil horns, in which you make a clenched fist and then stick out your index and pinky fingers (both Eminem and Barack Obama have been photographed making this gesture).
The deeper you look, the more you’ll find. You could go so far as to decode Blue Ivy’s name—some believe it’s an acronym for “Born Living Under Evil, Illuminati’s Very Youngest”—and that wouldn’t be the most outlandish theory. “It’s so easy to do, and it’s satisfying when you can find some symbol that seems to be hidden away,” explains Brotherton. In psychology, this is referred to as “confirmation bias.” “Once you start looking for it, it’s incredibly easy to find, especially when the supposed symbols are fairly generic. Things like evil eyes or covered eyes, a circle around the eye, pyramids—they’re everywhere. Once we find them, it’s easy to incorporate them into the belief system to say, ‘Look, I’ve found a plot.’”
Lecrae, an independent rapper who has won two Grammys and scored a Billboard 200 chart-topper with his 2014 album Anomaly, is just one of many MCs and singers who has been accused of invoking Illuminati imagery in his videos. It happened to him twice, after triangles appeared in his visuals for singles “Manolo” and “Sideways.”
“I can’t smile without somebody claiming it’s symbolic, so it doesn’t matter what I do at this point in time,” he says with a laugh. “I think about it after the fact. Like, here we go, there’s a triangle behind me. But it’s just shapes. That means every trigonometry class is the Illuminati. Every optometrist that makes you cover your eye when you go for an eye exam is Illuminati. Some of this stuff is outlandish to me.”
But, he continues, “I believe in secret societies. I joined a fraternity. There are all sorts of secret connections and relationships that go on. I just think there are people in power, and people in power can make decisions.”
Some theorists see specific uses of imagery as too spot-on to be coincidental. In his book, Sacrifice: Magic Behind the Mic, a deep dive into hip-hop’s connection to the Illuminati that investigates blood sacrifices, Isaac Weishaupt (a pseudonym inspired by the original Illuminati founder) refers to the Bohemian Grove, a California campground that hosts powerful and affluent men each year and boasts alumni like Richard Nixon and Ronald Reagan. Its mascot is a representation of the ancient Greek deity Athena: an owl, the exact one that Drake uses as his logo for his label OVO Sound. At each Grove gathering, the men perform a ritual called the Cremation of Care, a mock sacrifice to a statue of the owl. Illuminati conspiracists put this organization in the crosshairs for idolatry and Satanism.
“IT’S THE EXACT SAME LOGO OF THIS OWL THAT DRAKE BE USING. THAT’S KIND OF STRANGE TO ME. WHY HE TAKE THAT OWL, THE EXACT SAME ONE, THE EXACT SAME LOGO?” —PRODIGY
“They claim it’s a mock sacrifice or whatever. There’s a whole bunch of fuckery going on over there,” Prodigy says of Bohemia Grove. “It’s the exact same logo of this owl that this motherfucker Drake be using. That’s kind of strange to me. Why he take that owl, the exact same one, the exact same logo? I’m not saying Drake is a part of something. All I’m saying is, you want to know some weird fucking shit? Check that shit out. That whole group of people with the owl shit and just doing all this fuck shit in this world, they’re the worst people on the face of the planet. Fuck all of them and anybody that’s down with them. People need to make a petition to find out what the fuck [Drake] is using that owl for.”
But for every allegation of Illuminati, there’s a rapper or musician disavowing the rumors. Beyoncé recently shut the conspiracy theorists down on “Formation,” sneering, “Y’all haters corny with that Illuminati mess.” In 2011, Kanye addressed rumors that he was an Illuminati puppet during a freestyle at New York City’s Blue Note Jazz Club. “A black man interested in art, speaking from the heart and playing my part/And all this Illuminati talk, like my first single wasn’t ‘Jesus Walks,’” he rapped.
It wasn’t the last time he addressed the conspiratorial chatter. “I heard a comment—a joke—about the Tidal press conference being an Illuminati moment,” he wrote in a Paper magazine cover story, referring to the string of A-list artists who gathered to launch the streaming service in March 2015. “If there was actually an Illuminati, it would be more like the energy companies. Not celebrities that gave their life to music and who are pinpointed as decoys for people who really run the world. I’m tired of people pinpointing musicians as the Illuminati. That’s ridiculous…. Fuck all of this sensationalism. We gave you our lives. We gave you our hearts. We gave you our opinions!”
Some artists play into the conspiracies, possibly to further a sense of mystique. In the making-the-video clip for the heavily Illuminati-imaged visuals for “Run This Town,” Jay Z was spotted wearing a sweatshirt brandishing the phrase “Do What Thou Wilt,” the official dictum of the Ordo Templi Orientis and Aleister Crowley, an occultist who founded the philosophical religion Thelema and believed himself to be a prophet at the turn of the 20th century.
The Illuminati’s continued existence will probably never be proven or disproven. But the fact that the rumors refuse to die points to a sense that people feel increasingly powerless in the face of rapid societal change, increasing inequality and continued injustices against minorities and poor people. It’s human nature to find a scapegoat for your problems, especially when they seem so insurmountable. If it isn’t the Illuminati behind it all, it’s certainly somebody.
“It doesn’t even matter who they are,” says Prodigy. “These people are so powerful we don’t know who the fuck they are. They’ll never let their identity be known. Money means nothing to them. It’s about power and control. It’s that old fight for your soul, against good versus evil. It’s a power trip thing. They want power and they feed off of power. If you do the research, you’ll see that something is happening. Somebody is in control of it.”
When I was younger, I wished I could have participated in the world-changing demonstrations of the American civil rights movement. Bittersweetly, my wish has been granted. Recent events have revealed that institutional racism and racial wounds in the U.S. are deep and festering.
With increased awareness of police brutality due to technology, with incarceration rates of Black Americans being grossly disproportionate, with the political power swing in our latest election, the nation is more divided than it has been in recent years. I realized, whatever I am doing now is exactly what I would’ve done back in the 60’s. “A Time Like This” was birthed out of frustration, righteous anger, and a conviction that ugliness should be countered with beauty, we should fight evil with poetry. Tired stereotypes must be undone with creativity.
The title, “A Time Like This,” is from the story of Queen Esther, a courageous woman in Jewish history. She lived in a time of great injustice. Genocide was about to be committed against her people and she had the choice to hide her racial identity, or risk her life by challenging her husband; the very King who ordered the genocide. Esther’s uncle Mordecai wisely suggested that there may be divine purpose for her existing among such injustice; “who knows whether you have not come to the kingdom for such a time as this.” Heeding his advice, Queen Esther was able to save her people from extinction.
I believe it is no accident that I am here, in America, 2017. This album will explore what that reason could be via hip hop and poetry. There is purpose in this madness and I am thankful to all who will partner with me in fulfilling that purpose. There’s a reason we were made for a time like this
It’s Friday night and we’ve been invited down to Electric in Brixton, to witness German Duo Tube & Berger, open up for tropical house favourite Bakermat.
Bakermat is essentially accessible deep house music for the masses, and what Tube & Berger manage to provide, (without alienating the otherwise commercial audience), is a more underground deep house and techno set, which goes down an absolute storm.
Ahead of their eagerly anticipated second album, ‘We Are All Stars’ which drops sometime in May, Tube & Berger include a live element to their show with vocal PA, Richard Judge. His soulful voice and energetic enthusiasm pump up the fans and connect Tube & Berger to the crowd on a whole other level. Richard sings along to their collaborative singles; ‘Ruckas’, ‘Set Free’ and ‘Disarray’. This makes it fairly clear to see who is in fact here to see Tube & Berger, with a number of sing-a-longs now erupting from the audience.
Tube & Berger may not be the headlining act tonight, but their rare London appearance has brought out of the woodwork their own mega fans, as Kitball t-shirts and banners appear waving in the front row!
Amongst their own productions which span across deep house, and a darker more progressive house, they dropped classic tune Mylo’s; ‘Drop the Pressure’, Green Velvet, Pork & Fitch’s; ‘Sheeple’ and this years’ Ibiza dance anthem, Raffa FL; ‘How We Do’.
Also making a debut appearance was the new single, also named ‘We Are All Stars’. It was one of the more radio friendly tracks of their set, but in this setting, with this kind of audience, it was an absolute highlight! Signed to label Embassy One, which is also home to Booka Shade, Röyksopp, Robyn, Moby and Björk. You can hear it here first; We Are All Stars
I’m told there will be more live elements added to their already stellar performance, so keep an eye on their Facebook page for the latest news and tour dates; Tube & Berger Facebook