Victor Kaleka, better known as “Kaleka Keys”, is a keyboard player/pianist, composer, song writer and performing artist born in Kenya and based in Nairobi. His music cuts across the genres of Afro- Jazz, Gospel music and R&B.
His music career started in 2012 after high school when he began working with different bands. He grew fast within the music industry through hard work, motivation and discipline. He has performed in events and festivals in Kenya such as Koroga Festival, Kwetu festival, Cake Festival and many others.
He has worked with some of Kenya’s popular artists like Juliani and LJ Maasai. Currently, he is playing for an artist called Kidum Kibido who is well recognized internationally.
Among the artists who inspire him are; Brian Culbertson, Chick Korea, Cory Henry, Richard Bona, Shawn Martin and George Duke. His vision is to bring African Fused Jazz with a different feel.
Everything he knows is self-taught. He trained himself to play the keyboard by ear, listening to other musicians and practicing with YouTube tutorials.
Kaleka Keys is currently working on his first Album called “Flower Garden”. He has released one Single out ‘Blind Love – Official Music Video’
Gogo Simo is a seven piece band that plays almost every genre of music. They have recorded two albums titled Gogo Simo and Heshimu respectively. They completed their third album ‘UPAWA; which was launched on 2nd September, 2011. Gogo Simo is without a doubt the best band in Kenya.
They perform 5 days a week every week and are largely popular for entertaining at one of the leading TV shows ‘Churchill Live’. They entertain age groups from 25 to 85. The band consists of bass guitar, keyboards, drums, saxophones, percussion and female lead voice. Almost all the band members are vocalists in their own right. Once you’ve heard Gogo Simo, you keep coming back for more.
1. Artist/1stKeyboard/Composer/CEO/Producer/Managing/Music Director: James Gogo
2.Keyboards/Vocals: Mike O W Jozee
3.Drums/Vocals: Mechack Niyo
4.Bass: Moses Karanja
5.Band leader/Saxophone/Vocals: Noah Saha
6.Assistant Band leader/Lead Guitar: David N Omamu
7.BGVs/Lead Vocals: Hilda Matilda
It is with great pride that we present to you, FFM Records’ catalogue of our very own recording artists. As FFM grows, so does our record label and our first artists come from four different continents and musical genres.
Dita Nurdian is an Indonesian writer of electronica and dance music. Her passion for this genre is evident in her prolific output. At FFM Records, we have released 4 of Dita’s latest tracks and you can download them here, Beatport and stream on Spotify.
Slawomir Rataj is a guitarist and composer from Poland. Recently released under the FFM Records label, Slawomir’s debut album ‘Measure of Abstract’ is an instrumental album that combines electronica with Slawomir’s phenomenal guitar playing.
You can download the album here, at itunes and stream on Spotify.
Ankur Biplav is an Indian Classical Music singer specialising in South Indian Carnatic music.
Indian classical music has two foundational elements, raga and tala. The raga forms the fabric of a melodic structure, while the tala measures the time cycle.
The raga gives the artist a palette to build the melody from sounds, while the tala provides them with a creative framework for rhythmic improvisation using time.
Andy Anies is a Songwriter with thirty years of songwriting experience who has made it in the Gospel Music arena with 5 Albums. He has written songs for various artists as a ghostwriter. Andy is a versatile Stage Performer who makes it live on Stand-up Comedy, as he plays on the Solo Guitar over his mouth-organ.
Born in 1993, Debdeep Misra the grandson of legendary vocalist Pandit Bishnu Sebak Misra of Benaras gharana(piyari gharana) loved music enough to start listening, appreciating and learning at a very tender age of four under the guidance of his mother smt. Banani Misra-one of the desciples of Pt. A.kanan and Vidushi Girija Devi and his father who is disciple of pt. Mani lal Nag.
My Surreal Music welcomes you in a fusion of classic and electronic sounds. Are you ready to get entranced in a fantasy atmosphere, experiencing darkness, love and desire? Sometimes in life we experience a partial eclipse or a total eclipse of the heart. I hope the eclipse can be also a rebirth for people who are searching and desire to find themselves.
X/Y Recording Made Simple
The Zoom H1 Digital Field Recorder’s built-in X/Y microphone provides two matched unidirectional microphones set at a 90 degree angle relative to one another, optimum for most stereo recording applications. For X/Y or other types of recording, you can connect a pair of external microphones or line level signal to the H1’s Mic/Line Input mini phone jack.
The Ins and Outs
The H1 Mic/Line Input is a stereo ⅛” mini phone jack that can accept two mic- and/or line-level signals. Condenser microphones requiring Plug-In Power (2.5 volts) can be connected to this jack. The H1 Line/Headphones Output is a stereo ⅛” phone jack with a dedicated volume control. Headphones can be connected here for private monitoring. There’s also a built-in speaker on the back panel for fast monophonic monitoring of the recorded signal without the need to make any connections. The H1’s USB port provides a digital output of the stereo mix and allows data to be sent to and from your computer. From there, it can be imported into editing software such as the supplied WaveLab LE. It also allows the H1 to be used as a 2-in/2-out audio interface and USB microphone, as well as a microSD card reader.
Auto Level and Low Cut Filter
Overload and distortion are prevented with the H1’s Auto Level function that sets input gain automatically (input level can be set manually, too). The H1 also provides a built-in low cut filter for the elimination of pops, wind noise, blowing, and other kinds of low frequency rumble.
WAV and MP3 Support
The Zoom H1 records audio in both WAV and MP3 formats. The WAV files recorded by the H1 can be either 16- or 24-bit, with sampling rates of 44.1, 48, or 96 kHz, and are automatically time-stamped, making them Broadcast Wave Format (BWF) compliant – ideal for journalists and other professional media.
Battery Life and Recording
The H1 Digital Field Recorder requires just a single AA battery – offering up to 10 hours of operation, even during continuous recording. You can also power the H1 from any standard wall socket using the optional AD-17 AC adapter. The H1 records directly to microSD and microSDHC cards, up to 32 gigabytes.
High Quality Video Audio
The compact, lightweight H1 is perfect for use on a video or DSLR camera. The remarkable depth and clarity of sound achieved by the stereo X/Y mic design brings additional realism and depth to HD video. By combining the H1 with a DSLR video camera, you can create a professional video system with high-quality sound.
Included Accessory Pack
Additionally, the Zoom H1 comes with a useful bunch of accessories that allows you to get the most out of the Zoom H1 recorder. Included is a windscreen that minimises wind noise in demanding weather conditions, helping to retain the audio quality from the H1. The adjustable desktop tripod stabilises your recorder when on the move, or at home, and minimises handle noise to ensure clean recordings. The soft case ensures protection for your H1 during transport and storage. The accessory pack also includes an AC adapter, USB cable, and mic stand clip adapter, allowing you to charge the recorder, and seamlessly transfer files onto a computer or storage device.
What’s Included In Accessory Pack
- Mic stand clip adapter
- Adjustable desktop tripod
- Soft case
- AC adapter
- USB cable
“The Zoom H1 Handy Recorder is unquestionably a bargain” – PC Advisor
“For such a small unit it really can do some impressive recording and will definitely get the job done. Whether you are recording an interview or live music the H1 would be a great tool.” – Videomaker Magazine
- Built-in 90° X/Y stereo mic
- Stereo ⅛” Mic/Line Input mini phone jack with Plug-in power (2.5V)
- Stereo ⅛” Phones/Line Output jack with dedicated volume control
- Built-in reference speaker for fast monitoring
- Backlit LCD display
- Records directly to microSD and microSDHC cards up to 32 GB
- Supports up to 24-bit/96 kHz audio in BWF-compliant WAV or a variety of MP3 formats
- Auto Level for automatic control of input level
- Low-cut filter for elimination of wind noise and rumble
- Up to 99 marks per recording
- USB port for data transfer to computer and use as an audio interface and USB microphone
- SD card reader function
- Mounts directly to tripod, or to mic stand or DSLR with optional adapter
- Runs on only 1 standard AA alkaline or NiMH rechargeable battery
- Up to 10 hours of operation with a single AA alkaline battery
- Simultaneous recording tracks: 2
- Simultaneous playback tracks: 2
- Functions: Lo-cut Filter, Auto REC Level, Marker
- Recording/playback format:
- WAV: 44.1 / 48 / 96kHz, 16- / 24-bit
- MP3: 44.1kHz 48/56/64/80/96/112/128/160/192/224/256/320kbps
- A/D conversion: 24-bit, 128x oversampling
- D/A conversion: 24-bit, 128x oversampling
- Signal processing: 32-bit
- Recording media: microSD card (16MB – 2GB), microSDHC card (4GB – 32GB)
- Display: 127 segment custom LCD (with backlight)
- Built-in stereo mic: Unidirectional condenser
- Gain: 0 to +39dB
- Minimum gain with digital attenuation: -28dB
- Maximum sound pressure level: 120dB SPL
- Mic/line input: 1/8″ stereo phone jack (Plug-in power supported)
- Input Impedance: 2kΩ (Input level: 0 to -39dBm)
- Phones/line output: 1/8″ stereo phone jack
- Output load impedance: 10kΩ or more
- Rated output level: -10dBm
- Phones output level: 20mW + 20mW into 32Ω load
- Output load impedance: 10kΩ or more
- Rated output level: -10dBm
- USB interface:
- Type: Mini-B type (USB 2.0 High Speed compatible), Mass Storage Class operation
- Format: 44.1 kHz/16-bit or 48 kHz/16-bit
- Power requirements: Alkaline or Ni-MH AA battery x 1, or AC adapter (AD-17, USB to AC type)
- Battery life (alkaline batteries): 10 hours (MP3), 9.5 hours (WAV)
- Dimensions: 44(W) x 136(D) x 31(H)mm
- Weight: 60g (without batteries)
Deena Ade is an alternative artist, who has been described as raw and powerful in her vocal and lyrical delivery. Reminiscent of the Eryka Badu and late Amy Winehouse to name a few.
Melo Produced THABEATSMITH is the official single from her debut project ‘The Cries Of My Subconscious’
She explores a world of an Alpha female, who’s one desire is to capture the attention and love of another. Miss SLUTWALK herself proves once again to go against the grain in this song. Entwining her sultry vocals with her words of seduction.
Born Medina Agboluaje, the first of four children, music has been a substantial goal of Medina since the age of eight. As a child Medina performed around London for a local charity, which eventually led to performing for the late Papa Madiba in this state visit to London. Over twelve years later Medina can be found performing weekly in London’s hottest underground spots.
Having found much comfort in the training received by mentors such Beats by Sarz and other industry power players, Deena is now ready to face the music industry with the intensity she believes it is lacking. Using a name to define her sound and style can be quite daunting, but under the fabric of her stage performances lies a blueprint of influences. For example Amy Winehouse, Asa, Beyonce, Wizkid, Fela Kuti.
Deena Ade is currently releasing a song a month for a year which will be followed up by an LP project, set to be released in November titled “THE FEMINIST”. As her talents and fan base continues to grow, she emphasises on people not to over look as her, as she is the future of the African Music Industry. As she says ” It doesn’t matter what people say, as long as they like my music’.
At the beginning of 2016, I had an idea that I wanted to do something digitally/online that would help fellow musicians and be something that I could give back to the industry. My legacy if you like.
Now, I had no idea what it would be or how to do it so I set about learning the tech, digital marketing and website building. This was quite daunting for this fifty-something dinosaur but I quickly discovered that this modern sorcery was actually pretty easy. (Big thanks to DBL and SFM )
Hence, Freedom for Musicians was born. To be honest, the early manifestation of FFM was quite embarrassing in hindsight with no real identity and clumsy tech. However, I persevered and we now have a thriving online music magazine, independent record label and growing community of nearly 5000 musicians worldwide. FFM has Ambassadors representing Uganda, Kenya, Ghana, Canada, India, Azerbaijan, Czech Republic, Italy, USA, UK, Jersey CI and Indonesia. My initial concept has come a long way in a very short amount of time and I am immensely proud of our achievements so far,
Our focus now is to serve our members through publishing their music, videos and blogs. We advertise their products and services and release their music digitally in all stores world wide.
Please take a few moments to check out Freedom for Musicians as it now exists:
For more information and to contact me, Roger Moisan, email firstname.lastname@example.org or message me at Linkedin
Spirit communication through musical inspiration. A short film featuring Tim Foster aboard the infamous Floyd Tillman tour bus. A musician attracted the ghosts of famous country music personalities. A psychic translated the comments. A paranormal investigator recorded the actual spirit voices. “Fun and entertaining” “She loves you” “Can you see me?” “more please”
You can download Tim’s latest album ‘Clearwater’ at apple music and CD Baby
Thank you for making this journey with me into the minds of musicians I have worked with. My first recording project was in 1987 at Began Sound in Ft. Worth, TX. The release on cassette tape featured Jackie Moore (guitar, vocals), Glenn Shelton (guitar), James Mayfield (drums), Drew Thomas (harmonica) and myself (bass), “Back to the Brazos” and “It’s So Peaceful” remain with me on quarter inch reel to this day.
We produced a series of RiverConcerts and performance venues to raise awareness of the impending dam project on the Paluxy River with the tour lasting four years. The second was in 1998 at Cedar Valley Community College studio, “Ode to a Fisherman” (poem by David Lilly), “Take Me Back To Texas”, “South of the Four Sixes” and “Old Time Cowhand” (poems by TL Thompson) was a class project where Bryan Clark was tasked in the role of producer and not allowed to play the drum tracks himself.
The day of the session, Bryan searched the corridor at the school and came back with a drummer to fill in. His name is not known for credit here. Hank Black (guitar, harmonica) on these tracks with myself (guitar, bass, vocals and songwriting)…Bryan got an “A” on the project. In the summer of 2001 with funds earned from a major construction project, I decided to fulfill a long standing promise to again record Jackie Moore (songwriter, acoustic guitar, vocals).
We had been performing off and on throughout the decade. We selected the Diamond D studio on the Brazos River in Granbury and did several sessions on one inch analog tape. With Dan Hodan (lead guitar, mandolin) and a couple of failed drummers and engineering challenges, we abandoned the project when Jackie first introduced “Poet of the Prairie”. We needed a better studio so I found The Kitchen Recording Studios Dallas, TX to record three songs.
We came out with eight. The studio percussionist was Jeff Hennon and JP handled the ProTools. Very excited about these results, we scheduled another RiverConcert with Rusty Wier and Tres Hombres to headline the show in October. We were on KNON radio and Songwriter Showcase on DCTV with Lisa Byrn. Then came the infamous 9/11 event.
I was begged to cancel the RiverConcert and called Rusty to ask if he was afraid to do it. You would not believe what he said. The RiverConcert production was a huge success. The attendance; however, was not. As producer, I retained this project and in 2003 reentered the studio and replaced Jackie’s vocals with my own version of “Poet of the Prairie”, “I’ve Crossed the Brazos” and “Goodbye to a River” (not included).
I added Tracy Fletcher (tambourine, background vocal) to “Poet” with the assistance of Mark Dove during the 2008 sessions in Azle, TX where “On My Way” and “Fisherman’s Paradise” (written by Jackie Moore not included in the 2001 sessions) were recorded with Mark Dove (piano, harmonica) and myself (vocals, acoustic guitar and bass). During my many travels developing a solo career, I have written about and performed in various unique places.
There remains songs which need recording. In Stephenville, TX, I met Clif Hunter whose poem “Does Anyone Really Care to Know?” captured a standing ovation at the Irish pub at Branson Landing. It also captured the spirits on the Floyd Tillman tour bus near Galveston where “they” gave me the nickname “Clearwater” hence the title to this album and email address. The DVD movie production by Paranormal Investigations of Texas (paratexas.com) titled “Haunted Tillman Bus” and the original Jackie Moore and The Roadrunners CD are available on request. Thank you again for listening…see y’all while ago.
Conceived and conducted by Vincent Rees, the Red Planet Orchestra combine classical composition with a contemporary structure of electronic ambient music.
With sound artist Pete Smith, the Red Planet Orchestra has accumulated a growing body of work both rich in invention and subtlety. A sound palette of future memories and past dreams. Each release has created a landscape of intense serenity.
Their debut album, Aurora Symphony, was warmly received and now a firm favourite among fans – All albums feature original artwork conceived by Belgium artist Nicolas Crombez.
The Red Planet Orchestra continue to compose music for emerging film soundtracks such as the brilliant ‘Gorka’
Aurora Symphony – 2013
Secrets of Eternity – 2013
We Breathe Together-2014
States of Space -2014
The Angry Silence -2014
Time of Dark Consequences – 2016
Contamination – 2016